A Quote by Craig David
I played 'Rewind' so many times in the club to see which parts were working, see how the crowd reacted to it.
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The Soul which is approaching its' liberation, as it looks back over past lives... down the vistas of the centuries along which it has slowly been climbing,... is able to see there the way in which the bonds were made, the causes which set it in motion. It is able to see how many of those causes have worked themselves out and... how many... are still working themselves out.
I can't even count how many times I've been pulled over. I can't count how many times I've gone to a club and not got in, how many times a security guard has followed me round a shop. I can't count how many times that somebody has asked me if I'm a footballer because I've come out of a nice car.
Baseball has been the greatest things in my life, but the cameras and the media surrounding baseball have not been fun. It's unnecessary. How many times do they see me stretch? How many times do they see me walk? It is a big concern. If it affected the team in a negative way, I don't know what I would do.
I think the problem with 'YouTube Rewind,' at least how I see it, is pretty simple actually. YouTubers and creators and audiences see it as one thing and, YouTube, who's in charge of making it, sees it as something completely different.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
Ministry of Sound was actually the first club I ever played in the UK, it must have been around 1993. Being invited to play was a big thing and visited many times since - The Gallery always has a great crowd, great sound system and just a great night.
I work on 'A Question of Sport' which comes out of Manchester and you see how it's important to take parts of the BBC to other parts of the nation.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.
When I played a club in Salt Lake City, I complained to the crowd about the low turnout. It's always good to berate the people who paid to see you because you're upset about the people who didn't show up. It's called misplaced anger, and without it, I wouldn't have an act.
I don't have time to be going back and forth with nobody.' Even now, when I work, I'm excited to go home to see my son. If I'm working, I make sure I FaceTime so many times in the day just to see him. Anytime I get frustrated or stressed, I FaceTime my son and immediately I don't even know what stress is because I'm accepting my life. When I see him, I see me.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
I played to the biggest audience I've ever played to in my life in New Zealand. I couldn't see the end of the crowd. I understand it was over 200,000 people in a park somewhere.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
I savored my time on top of the podium by watching the American flag rise up out of the crowd as the anthem played, thinking about how every single second of training I've done was for this minute and how many people played a role in my achievement.
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