A Quote by Craig Ferguson
I did have a love for literature that overpowered my hatred of the people who taught it, and I think because I had no respect for the teachers, their attitude didn't poison the writing that I was discovering for myself.
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I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid.
I wondered why it had to be so poisonous. Oleanders could live through anything, they could stand heat, drought, neglect, and put out thousands of waxy blooms. So what did they need poison for? Couldn't they just be bitter? They weren't like rattlesnakes, they didn't even eat what they killed. The way she boiled it down, distilled it, like her hatred. Maybe it was a poison in the soil, something about L.A., the hatred, the callousness, something we didn't want to think about, that the plant concentrated in its tissues. Maybe it wasn't a source of poison, but just another victim.
I would love to see writing taught online because at university like Yale, there are not enough teachers who are able to teach writing well, or in some cases, there are none.
One day I looked at something in myself that I had been avoiding because it was too painful. Yet once I did, I had an unexpected surprise. Rather than self-hatred, I was flooded with compassion for myself because I realized the pain necessary to develop that coping mechanism to begin with.
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
No child is taught to kill, but he has to be taught to love, respect, honor and value, not only his own life, but the lives of his classmates, parents and teachers. He has to experience love and acceptance. He has to know his life has purpose and meaning. No amount of money can do that.
In a way, 'Billy Elliot' was autobiographical. I can't dance, but I think his dancing was me discovering about writing and literature.
I had a complicated home life, and my teachers, predominantly my theater teachers and my English teachers, were very dedicated to taking care of me in a particular way. And in doing so, I think I developed a very easy rapport with people older than myself.
I did not consider that I would lead a literary life. I'd thought initially, as a young girl, that I would be a teacher, since I so admired many of my teachers. And though I loved writing, I did not ever think of myself as a writer.
I love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.
Here's the thing that I think really pushed me, was my versatility. Because when I came in to the movie business, all the stunt men were specialists. If you did horse work, that's all you did. If you did cars and motorcycles, you did that. But when I came in, I taught myself how to do everything.
I don't think of myself as a feminist, but if someone calls me a feminist icon, that's fine. I've always stood up for women and myself in general. I have a great love and respect, because I have had beautiful sisters, aunts and my grandmas, but I love men. I totally understand the nature of men.
People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other's murder.
Jem’s eyes had widened, and then he’d laughed, a soft laugh. “Did you think I did not know you had a secret?” he’d said. “Did you think I walked into my friendship with you with my eyes shut? I did not know the nature of the burden you carried. But I knew there was a burden.” He’d stood up. “I knew you thought yourself poison to all those around you,” he’d added. “I knew you thought there to be some corruptive force about you that would break me. I meant to show you that I would not break, that love was not so fragile. Did I do that?
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
My parents always encouraged me and I had a good home life. We were always taught to respect things and other people. It's so different today, because children are just not taught the right way.
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