A Quote by Craig Ferguson

I would prefer as a viewer to watch the mistakes. I am my own blooper reel, as it happens. — © Craig Ferguson
I would prefer as a viewer to watch the mistakes. I am my own blooper reel, as it happens.
When we're on set, we kind of joke around, and when we're rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'
I watch a lot of Turner Classic movies. But I don't do private screenings. I don't have the old school, reel to reel projectors. I do have a big screen TV, though.
I am comfortable with doing mistakes. It's a normal thing. If a mistake happens because of my own decision, I am OK with it.
I started to concentrate more upon how the viewer looks at photographs... I would insert my own text or my own specific reading of the image to give the viewer something they might not interpret or surmise, due to their educated way of looking at images, and reading them for their emotional, psychological, and/or sociological values. So I would start to interject these things that the photograph would not speak of and that I felt needed to be revealed, but that couldn't be revealed from just looking at an image.
Fools you are who say you like to learn from your mistakes. I prefer to learn from the mistakes of others, and avoid the cost of my own.
My attitude is, I am not a lawyer; I am not a doctor; I am not a scientist. I am a filmmaker and I want to present what each side is saying and let the viewer come to their own conclusion.
There's a huge migration of eyeballs from television screens to cellphones, tablets, and laptops. More and more people prefer to watch their favorite shows at a time and a place of their own choosing. Appointment TV only happens when you are waiting for the doctor.
My God would never deliberately bring harm to anyone. But if it happens, if it simply happens due to wind and rain and weather and man's own mistakes, then God has promises to keep: Li£e continuing. An even richer, fuller, brighter ongoing life to compensate.
The days of holding the audience captive to watching television at times that programmers tell them they have to watch it are coming to an end. It's a new world, where the viewer and fan wants to watch whatever they want to watch, whenever they want to watch it.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
When I go in to fight week, I go, 'Maybe I'm going to be that guy on the highlight reel that gets knocked out.' I'm always thinking, 'How am I going to react? Am I going to be a sore loser?' I'm almost checking myself in case something bad happens.
I don't watch my old films like 'Roja,' 'Dil Se' because I only see mistakes. I see five minutes of the film and I am scared I will start finding mistakes in them.
I never chose to be in Russia, and I would prefer to be in my own country, but if I can't make it home, I will continue to work very much in the same way that I have... What happens to me is not as important; I simply serve as the mechanism of disclosure.
I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.
I definitely prefer to write under my own volition and see what happens.
Fools you are. To say you learn by your experience. I prefer to profit by others' mistakes and avoid the price of my own.
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