A Quote by Craig Ferguson

I'm a terrible interviewer. I'm not a journalist - although I have a Peabody Award - and I'm not really a late-night host. What I am is honest. — © Craig Ferguson
I'm a terrible interviewer. I'm not a journalist - although I have a Peabody Award - and I'm not really a late-night host. What I am is honest.
[Late-night host] is not really a job for a woman. You can't have kids and be a late-night host.I mean Samantha Bee has children, but you're there all day and all night. No one has a life outside of it. I would never try to have a family. I care much more about a career anyway, than having a family, so that's my own prerogative. It's just not something that a woman.
I do a show. It comes on late at night on TV. And if that means I'm a late-night talk show host, then I guess I am, but in every other regard I resign my commission, I don't care for it.
To me, the Peabody was as big if not bigger than any award, but I do understand an Emmy Award-winning show has a different buzz when it comes to start talking about renewals and things like that. There's a professional something to it that matters.
I'd go for "really great writer." Although I don't think I am. I know I have a style which is recognizable. I think you can see Terry Pratchett in every book. I like doing it. I was once a journalist. And I think of myself as a journalist, and that's it.
Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician.
Don't ever rope me in as a late-night talk show host. I don't want to be one.
My big dream is to be a late-night host, but it's like, what does that even mean?
I'm a late-night host that doesn't want to be tied down by time or television or even hosting.
If you look at my life before I went into television, the struggle I went through coming out would be surprising to most people, given how comfortable and how out I am being the only late-night gay talk-show host.
Writing for late night is really good for learning how to write when you don't want to write. You have to produce every day. It's also very good for refining the difference between your point of view and the host's.
I want to be a late night host and the podcast is a way for me to do longer form interviews and to get better at interviewing.
I'm a terrible late-night snacker.
I'm not a journalist; I'm probably a horrible interviewer. The one small thing I have is I'm curious, and I'm interested in who I'm with.
Interviewer: [What do you get up to] In real time? Brian Molko: I go on Placebo sites and have a terrible time trying to convince fans it's actually me. No one ever believes it. I've spent about four hours, giving away intimate details about myself that I'd never tell a journalist, in an effort to prove that it's me.
My painting technique has not changed that much over time, although perhaps I am painting tighter and with more detail, in spite of a desire to loosen up and paint more expressively. One thing that has changed is my daily routine. I used to paint quite late into the night. It was a time I felt the creative spirits most active. As I have aged, my circadian rhythm has changed. I like to paint early in the day when I can avoid falling into the soul-sucking email world. Early dawn feels very similar to late night.
I'm a much worse guest than I am a host, and I'm not an awfully good host either. I really like being alone.
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