A Quote by Craig Ferguson

It's very interesting to know what people are doing while you're working on late-night television. — © Craig Ferguson
It's very interesting to know what people are doing while you're working on late-night television.
I want to come back and do talk. I want to do late-night talk the right way. Arsenio ain't there anymore, and the late-night talk competition is weak. All them dudes is weak. I don't even know who they are. Weirdos, and I don't even care. I want to bring real fun back to late night where a real comedian is doing it.
You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.
In 1980s, I discovered 'Late Night with David Letterman.' It was on one of the 13 cable TV channels. They didn't have 25 late night talk show hosts trying to be the most outrageous. There was the likeable television genius Johnny Carson and his mad-genius counterpart Dave. There was nothing else crazy on TV every night, and there was no Internet.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
You're working yourself till late at night, and sleeping crazy with deadlines - you're doing it for a reason.
Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.
You know, a documentary is only interesting once in a while. If you look at a whole book of Dorothea [Lange]'s where she has row after row of people bending over and digging out carrots - that can be very tedious. And so it's only once in a while that something happens that is worth doing.
I get very few nasty letters. A few from people who disapprove of the fact that I'm getting naked on television yet again. I don't know why - I suppose they don't like the idea that I'm doing that while I'm married with children.
I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, "That's interesting." But I don't know what to make of it.
Working in television is very hard. I think people know that.
Working with different people and do things that normally I would not do makes the music interesting for me to continue. It keeps me alive. When I'm doing something alone, that is mine, I know how it is. But when I'm working with someone else, I also see the view from the other, and usually learn something new, try something different. This is very important to my happiness.
I was always working, so I would get reading done very late at night a lot of times.
I've never been that bothered about doing stage or television. I just love doing films. With theatre, it goes on night after night.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
Its really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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