A Quote by Craig Ferguson
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
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I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
I think women's wrestling has had a hard time because of GLOW. When GLOW came out, it looked like somebody was ripping off the male industry. Everybody made fun of it. WOW is a great product. It's produced right. It's got a little story line, and it's got good-looking girls who can work and can talk.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
I had immigrant grandparents who came to this country and came for religious freedom and loved it, never made any money, Bronx, Brooklyn, but loved America. And they told me every day it's the greatest country in the world.
I only worked with Rafa Benitez for a short time, but he's a great manager, and he showed it from the first moment he came. He worked with the players and made us a better team. He's a good person, always trying to help players out.
The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.
We came to enjoy; we are being enjoyed. We came to rule; we are being ruled. We came to work; we are being worked. All the time, we find that. And this comes into every detail of our life.
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?)
Say it, do it, make it anyway - but tell YOUR story along the way.
The story of how you came to know what you know.
The story of what you want to know more of.
The story of why you do what you do.
The story of how you came to care.
And that's how you create what's never been created before.
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
I worked the AV counter at the Roland Heights public library in the '80s. My best story from the library was the time a couple asked for a recommendation, and I recommended Raising Arizona and they absolutely hated it. They came back hungry for blood. I was on my lunch break and my boss came out and said, "Hey kid, you need to come talk to these people. They totally hate Arizona." And he said, "Arizona's a dog; nobody gets that movie."
Canada has been phenomenal to myself, my brother, my sister, their kids, my parents. They came there. They worked very hard. They came with a great education, very good heads on their shoulders with the simple thought of going there with almost nothing and just saying, 'We're doing this to give our kids the best opportunity possible.'
As you know, I'm an immigrant. I came over here as an immigrant, and what gave me the opportunities, what made me to be here today, is the open arms of Americans. I have been received. I have been adopted by America.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
My mom came to America when I was six years old, and I didn't live with them until I was ten. They worked really hard in factories, and my dad as a taxi driver, to be able to afford visas for my sister and I.
I had been acting since I was seven years old, but I had a combination of things happen at about the same time. 'Austin Powers' came out on DVD, I got a series regular gig on 'Buffy' and 'Can't Hardly Wait' came out.
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