A Quote by Craig Finn
One of the things is my process requires a lot of repetition. I can probably drive people crazy because I'm interested in playing a song twenty times in a row.
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There are a lot of people who do crazy things without necessarily being crazy, for example crossing the Atlantic solo. Some crazy things which requires you not to be crazy to achieve them.
It's funny because as a composer, you want to hear your songs live on. I think a lot of times people will create a song and it becomes stagnant or something that they're no longer interested in playing, and they leave it alone.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
I sometimes think the theatre is more demanding because it requires things you don't have in films, like it requires you to make the people in the front row believe you and not look an idiot to them while the people right at the back can hear you.
I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.
People don't want to hear the same song 12 times in a row on an album.
In terms of how the music developed, it was my normal process, which I would say is really a hybrid process of sketching on bits of paper, playing the piano, playing synthesisers, using the computer, staring out of the window, finding things I'd forgotten about, happy accidents, failed plans, best intentions, equipment failures. It is a multidimensional process incorporating a lot of planning and intention and a lot of randomness. Ultimately I just follow the material where it wants to go a lot of the time.
Theater is all about the rehearsal process. In fact, I think a lot of times opening night there's a mixed sadness because you're finished with a lot of people's favorite part of the process, which is finding the character and discovering it, and then you get to live it.
It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.
I think it's important to do things you enjoy off the field because, if you just focus on baseball, you can go crazy. It's such a tough game with a lot of failure, so for me to do things like this, it's fun. When you're playing, especially in Chicago, you're in front of the camera a lot anyway. I'm slowly getting used to it.
Las Vegas is a crazy, crazy town at times, so there's a lot of high-end things I get.
You cannot drive with your eyes in the rear-view mirror… But dignity is difficult to maintain. Stamina requires constant upkeep. Repetition is boring. And you pay for grace.
There are just so many options that people have. But as a writer, you'll drive yourself crazy, if you worry about that too much. People watch a lot of TV, so they think certain things are going to happen, and you're always trying to subvert expectations.
What frustrated us about the song [Robots] was not that it existed - we owe a lot to that song and have had a ton of fun playing it. The problem was that it was a "given".It was like everyone was waiting for it to happen, and then it better be as crazy as the time they saw it before. Started to feel like dancing monkeys.
A lot of times, people are simply interested in seeing me because I was on television.
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
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