A Quote by Craig Finn
I think the other thing that shaped me a little bit is that I really didn't have any success in music until my early to mid-30s.
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Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
I think because my parents died in their early 50s, mid 50s, I always thought I would die young. And that's been both a useful thing and I suspect something that's haunted me a little bit.
If anything, when you're in your late 20s, early 30s, and then mid-30s, you're getting less attractive.
If I look at the people that I look up to, a lot of them don't come to the forefront until their early to mid-30s. I think the most exciting roles are definitely yet to come.
I think every team is different. If you have younger players, you're going to play them a little bit more. If you have guys in their mid-30s, you're probably going to pull back on it.
I still feel like I've got a lot of great football in front of me and the way that I've taken care of myself better the last few years. I think is going to put me in position to be able to play really well late in my 30s and even in my early 40s, possibly, if they'd like to keep me around that long and I can still play a little bit.
I think until you reach your mid-30s, there's either a real acceptance of where you are or a resignation of where you are.
I always thought I had a face like the moon, because I had really chubby cheeks when I was a kid, right up until my mid-20s. My face changed in my later 20s and again in my mid-30s.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
The main thing about the character [in the Ordinary World] is that he loves music, and he shares it with his daughter. He's having a mid-life moment, and it's a small moment, really. I think that the character actually really loves where he's at, in his life. He's just trying to have it make a little bit more sense while he figures out what he actually wants to do with it.
Flamenco is Arabic music and rhythms filtered through centuries of gypsies making music. The gypsies themselves came originally from India. And then there is the Caribbean influences... This whole idea that there is any such thing in music that "purity" is bunk, it just doesn't exist. I love that I am playing these rhythms to people. And the next time they hear something that's maybe a little more exotic, I have created a little bridge, and they are going, "Oh, this actually sounds really cool. It reminds me a little bit of that, but it's something different."
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I think a good comedian was probably bullied a little bit. Probably felt doughy and oblong and rhombus-shaped and strange and a little bit of an outsider, and then learned the healing qualities of comedy.
I feel like I can't fully understand what's happening now until I really understand what's happened before. But you do get sort of bogged down a little bit when you're trying to study so many years' worth of music. It can be a little bit overwhelming.
I lived in a studio apartment until my mid-30s. I don't have an extravagant lifestyle.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
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