A Quote by Craig Johnson
I looked over at her; if women knew how good they looked in the dash light of oversized pickup trucks, they'd never get out of them.
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It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
Over and over again, I looked family members who had lost loved ones to police violence, I looked them right in the eye and told them, 'Don't worry. We will get justice for your family.'
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
When we were making 'Toy Story,' my grandmother was very ill, and she knew she was not going to make it. I went back to visit her, and there was a moment during that visit that I had to say goodbye, and I knew I'd never be seeing her again. I looked at her and knew that I was looking at her for the last time.
The light, the sky, the water, they were all things you looked *through* during the day. At night, they were things you looked *into*. You looked *into* the stars, you looked *into* dark rollers and the surprising platinum flash of their caps.
He looked at her the way all women want to be looked at by a man.
Sam and Patrick looked at me. And I looked at them. And I think they knew. Not anything specific really. They just knew. And I think that's all you can ever ask from a friend.
Alone in her shelter, she allowed herself tears. When her shelter cooled to the touch she called to Gull, “Coming out!” She eased her head out into the smoky air, looked over at Gull. She imaged they both looked like a couple of sweaty, parboiled turtles climbing out of their shells. “Hello, gorgeous.” She laughed. It hurt her throat, but she laughed. “Hey, handsome.
I suddenly stopped and looked out at the sea and thought, my God, how beautiful this is ... for 26 years I had never really looked at it before.
Pooh looked at his two paws. He knew that one of them was the right, and he knew that when you had decided which one of them was the right, then the other one was the left, but he never
could remember how to begin.
She shook her head. She was so pale under the diffuse lamp-light that she looked almost transparent, as if Simon could have looked right through her. The way, he supposed, he always had.
I looked at Randy White... I looked at Klecko. I looked at Gino Marchetti. I looked at a lot of players. Bob Lilly. There are players I looked at over the years when I was a young player and tried to steal a little bit from their game and fit it into my game. And Joe Klecko was someone I thought was a bear to deal with.
For when you looked into my mother's eyes you knew, as if He had told you, why God sent her into the world - it was to open then minds of all who looked to beautiful thoughts. And that is the beginning and end of literature.
She was perfect. I knew this the moment she emerged from my body, white and wet and wailing. Beyond the requisite ten fingers and ten toes, the beating heart, the lungs inhaling and exhaling oxygen, my daughter knew how to scream. She knew how to make herself heard. She knew how to reach out and latch on. She knew what she needed to do to survive. I didn’t know how it was possible that such perfection could have developed within a body as flawed as my own, but when I looked into her face, I saw that it clearly was.
"Which is completely out-of-line behavior. Then you are wholly within your rights to stomp on their foot." "No," Delia said, over her shoulder. "Actually, you're not. Just excuse yourself as politely as possible, and get out of arm's reach." Kristy looked at me, shaking her head. "Stomp them." she said, under her breath. "Really."
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