A Quote by Craig Kilborn

Singer Boy Dylan was stopped at his own sow by security guards who failed to recognize the singer. Asked to comment, Dylan replied, 'I can hardly blame them. Look at me.' — © Craig Kilborn
Singer Boy Dylan was stopped at his own sow by security guards who failed to recognize the singer. Asked to comment, Dylan replied, 'I can hardly blame them. Look at me.'
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
Sometimes I do a Dylan song and it seems to fit me so right that I figure maybe I wrote it. Dylan didn’t always do it for me as a singer, not in the early days, but then I started listening to the lyrics. That sold me.
When the American documentary filmmaker Donn Alan Pennebaker wanted to do a film on Dylan, Dylan asked him what he'd already done, and Pennebaker answered, Nothing except shots in the street. Dylan asked to see them, and he agreed to let him do the film.
Bob Dylan seems to me a totally pernicious influence - the nasal whine of death and masochism. Certainly, this would be a more cheerful world if there were no Dylan records in it. But Dylan and his audience mirror each other, and deserve each other; as Marx said, a morbid society creates its own morbid grave-diggers.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
I won't comment on what Bob Dylan said, but I will comment on his receiving the Nobel Prize, which to me is like pinning a medal on Mount Everest for being the highest mountain.
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
I could hardly get a boy to look at me. All right, they'd look, they'd even take me out, but no one asked for a second date. I was too nasty, a real wise guy, and all the boys could tell what my rotten disposition was. Deep down, I wanted a commitment with a capital C. To get anywhere with me, a boy would have to sign his undying loyalty with his own blood.
Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
My name is Dylan simply because my parents did not know before I was born if I would be a boy or a girl, and Dylan was a name that worked in both cases.
After the Beatles and Dylan, there's this assumption that you are a singer-songwriter, or that if someone else is writing your rhymes, you're a fake rapper.
In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.
I couldn't have asked for a better testimonial than Bob Dylan parting with his own cash for a pair of my shoes.
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