A Quote by Craig Lucas

. . . don't rewrite unless you know what you're trying to do. — © Craig Lucas
. . . don't rewrite unless you know what you're trying to do.
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
So, you know, when I think of survival as a creative act, it's not trying to plaster over the isolation or to, you know, rewrite your predicament into something positive with a happy ending or some kind of neat resolution. It's writing into the unknown.
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.
I know there isn't no beast—not with claws and all that, I mean—but I know there isn't no fear, either." Piggy paused. "Unless—" Ralph moved restlessly. "Unless what?" "Unless we get frightened of people.
We cannot distinguish truth from falsehood, right from wrong, or know what obedience we owe to the magistrate, or what we may justly expect from him, unless we know what he is, why he is, and by whom he is made to be what he is.... I cannot know how to obey unless I know in what, and to whom; nor in what unless I know what ought to be commanded; nor what ought to be commanded unless I understand the original right of the commander, which is the great arcanum.
In the TV business, you've got to write fast, and someone will tell you, "Can you rewrite this episode before... 6 p.m.?" So that's when you rewrite it. You can't wait for the muse to show up.
In the TV business, you've got to write fast, and someone will tell you, 'Can you rewrite this episode before... 6 P.M.?' So that's when you rewrite it. You can't wait for the muse to show up.
I try and get it right the first time. I may rewrite a sentence four or five times, but I rarely go back and kill a whole page and rewrite it.
You can't rewrite nothing, but you can rewrite 90 pages of sh*t. Now you've got your sh*t on the page, you can go work.
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