A Quote by Craig McCracken

I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.
When you have a name actor, with a face that people recognise and a name that can go on posters or billboards and be able to appear on the talkshow circuit and tout the film, that's always a plus.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
It feels great seeing posters everywhere, and bus stops promoting 'Black Nativity,' and billboards in Los Angeles. It's overwhelming. I can't wait for everybody to see what I got.
The worldly man treats certain people kindly because he 'likes' them: the Christian, trying to treat every one kindly, finds him liking more and more people as he goes on - including people he could not even have imagined himself liking at the beginning.
Nothing feels worse than knowing that people didn't see your movie. That they wanted to and the critics loved it but nobody knew where it was because it didn't do what it was supposed to do opening weekend. It used to be that independents were allowed to stay in the theaters, build word of mouth.
The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.
Ask people who are close to the natural world: farmers, people who work the land or in some way use the land for their livelihoods. They will tell you what they are seeing isn't so good. They will tell you the changes they have seen in the past twenty years are remarkable in one way or another and unlike anything they had seen before that.
I was a hostess, I sold shoes, but I don't function well in jobs that don't have to do with what I love. I have cleaned bathrooms in theaters, I have sold wine in theaters, I have sold tickets, because I will do anything, anything, to stay in this world.
There is nothing like the way people feel after they've seen 'The Intouchables.' They feel amazing. The word of mouth on this film is incredible. It's intelligent-feeling good. You're not insulted by the low-browness or stupidity of some of the humor. It's so smart and terrific.
I'm sure there are people in Hollywood, whose main drive in film is to make money, who will feel that any use of the word hijacking or any reference to anything violent or remotely associated with the terrible tragedy that occurred will lose customers for them. And that will be the only criterion that will matter and so they'll force the minions that work for them to remove these things from their movies, or not make movies about that subject.
More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
There's no more film. Film is gone. We photograph digitally and electronically. We don't really use film the same way anymore - it's disappearing little by little. Things change. We have to change with them. There's no point in liking or not liking it. It is what it is.
Because too much of my life was spent waiting to be seen. Hoping to be seen, hoping to be picked. Once you realize that you aren't looked at that way any more, other things start to happen and you have to depend on other things to get by.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
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