A Quote by Craig Nicholls

I often get disoriented on stage. Half the time I don't even know where I am. — © Craig Nicholls
I often get disoriented on stage. Half the time I don't even know where I am.
Personally I like going places where I don't speak the language, don't know anybody, don't know my way around and don't have any delusions that I'm in control. Disoriented, even frightened, I feel alive, awake in ways I never am at home.
I'm not dating anyone. I don't even know where I am half of the time.
If I go to a restaurant, which I do often, I know what I want, and it's not on the menu half the time. Half the time, they have to adjust the menu or what they got in the back, and they'll make it for me.
Usually, jet lag is not this big of an issue for me. I'm not sure why I'm so disoriented this time. It could be due to the amount of chocolate and french fries I've eaten in the last two and a half weeks.
The stage is like an addiction. Since singing and dancing had been my dreams all this time, I fall even more into those charms every time I’m on stage. These days I get the urge to make the audience go crazy.
I have often seen quite demented patients recognize and respond vividly to paintings and delight in the act of painting at a time when they are scarcely responsive, disoriented, and out of it.
On a film set, everything's done for you. You get to a stage where you can't even remember the last time you made yourself a sandwich. The crazy thing is that, as actors, we're trying to portray the human condition, but we're often not living in reality.
If I am on a journey where I only have time to read one-and-a-half books, I never know which one-and-a-half I'll feel like reading. So I bring eight.
And I know now that all the time I was trying to get out of the dust, the fact is, what I am, I am because of the dust. And what I am is good enough. Even for me.
If you get half a million, at a certain stage you probably will get 4 million people, if they are able to hear it. The touring thing is unbelievable. It really is amazing from what we did the last tour even to what we are doing now.
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
I know when I am on stage and I'm kind of on the right track - hopefully most of the time. But a lot of time I'm not.
I think more obvious to others, is that I'm most vulnerable on stage. Even though I know which songs I'm going to play, I try and keep it loose and base my stage time more on what the audience is requesting of me.
When I am on the opera stage, I am playing someone else. In recitals, I even have the chance to talk to the audience, which is something you don't get to do in opera.
When I get some time off, I don't even want to see people half the time.
I mean, I - it's so funny, I am, you know, I am, you know, a working woman out in the world, but I still live with my parents half the time. I've been sort of taking this very long, stuttering period of moving out.
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