Possibly he knew, as he wrote this, that he was mad - because inside every madman sits a little sane man saying 'You're mad, you're mad.'
In a mad world only the mad are sane.
In a mad world, only the mad are sane.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved.
If you live with unhealthy people, to be healthy is dangerous. If you live with insane people, then to be sane is dangerous. If you live in a madhouse, even if you are not mad at least pretend that you are mad; otherwise those mad people will kill you.
You will say that I am old and mad, was what Michaelangelo wrote, but I answer that there is no better way of being sane and free from anxiety than by being mad.
Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.
I like you because you were mad. And you're pretty. And pretty sane for a mad person.
If I am mad, then who on the face of the earth is sane? If you are sane, then there is no madman in the world.
The only people for me are the mad ones: the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who... burn, burn, burn like fabulous yellow Roman candles.
He’sh mad?’ ‘Sort of mad. But mad with lots of money.’ ‘Ah, then he can’t be mad. I’ve been around; if a man hash lotsh of money he’sh just ecshentric.
Yes, I am mad - like the Marquis de Sade was mad, like Giordano Bruno was mad, like Antonin Artaud was mad.
--Why are we fighting them? --They're mad. We're sane. --How do we know? --That we're sane? --Yes. --Am I sane? --To all appearances. --And you, do you consider yourself sane? --I do. --Well, there you have it. --But don't they also consider themselves sane? --I think they know. Deep down. That they're not sane. --How must that make them feel? --Terrible, I should think. They must fight ever more fiercely, in order to deny what they know to be true. That they are not sane.
Let the mad find wisdom in their madness for the sane, and let the sane be grateful.