A Quote by Craig R. Barrett

Bernard Harris is a great example of the American success story. In Dream Walker he describes how he is trying to pass on his experience and success to the next generation -- we can all learn from his real life story.
A conventional ‘success’ story is one where, with each next, the protagonist has more money, more respect, and more possessions. I’d like to suggest an alternative ‘success’ story – one where, with each next, the protagonist is closer to finding that spot where he’s no longer held back by his heart, and he explodes with talent, and his character blossoms, and the gift he has to offer the world is apparent.
I have spent some time talking to Rex Tillerson. He's an amazing human being. He's an American success story, not just in his business life. He's a rags-to-riches success story. He stated working at 8, lived in a one-bedroom house until the time he went to college, and grew to become the CEO of one of the world's largest companies.
And in reality, I don't think it's a real documentary. It's more a story of her life. It's a story of survival. It's a story of the time in which she lived. The story of success and failure.
Your success story is a bigger story than whatever you're trying to say on stage. Success makes life easier. It doesn't make living easier.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering. But that is the beginning of a new story -- the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
I've argued that Trump's biggest success in his first 100 days was to keep the Russia story at bay, toss out whatever it takes to push the story back, including those false charges that Obama had his wires tapped.
The story of American pop music is the story of failure. The blues, country music, it's not the story of success. People don't win; they lose.
Delia Sherman once told me that you never learn to write a story. You only learn to write the story you are currently writing. You have to learn how to write the next story all over again. And she's absolutely right.
The story of Willie Stark fascinated me because it was tackling the story of a man who outwardly has all the success one could possibly want and who is destroyed by his personal demons.
From the very beginning Europe has been not only a success story but also a story of success achieved by learning.
From the very beginning, Europe has been not only a success story but also a story of success achieved by learning.
I've always said that Miguel Pinero's story is a quintessential American tale. An immigrant who comes to this country, is immediately marginalized to the lowest economic level and persecuted because of his skin color and, in spite of all the obstacles put in his way, he becomes a huge popular success.
Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
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