A Quote by Craig Revel Horwood
I like working with directors I respect, who give me freedom but also give me a good base from which to work.
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So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.
Give me love Give me love Give me peace on earth Give me light Give me life Keep me free from birth Give me hope Help me cope, with this heavy load Trying to, touch and reach you with, heart and soul
As an athlete, you really see a lot of the Instagram paradigm. Where it's just like, 'Me! Me! Me!' When you realize you can 'Give, Give, Give,' it's very interesting, and it's good.
Let me start by saying I wish no country had the need for an army. But in Israel, serving is part of being an Israeli. You've got to give back to the state. You give two or three years, and it's not about you. You give your freedom away. You learn discipline and respect.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I will say that is a quality I love about great directors, which is the ability to give you one word that can inspire you. I appreciate a director with a very good vocabulary. There are so many directors that I have worked with that can give you one word.
I'm not necessarily less gratified by films where you're given less room to maneuve. Because I love a great script, and I love to respect it, and I love to try to give a director what he needs and wants, especially having directed now. [Laughs.] I'm much more open to try to give him what he wants and figure it out. I like working with directors I respect and admire, obviously. And everybody has their own way.
When we give help to the poor, we are not doing the work of aid agencies 'in a Christian way'. Those are good, it is a decent thing to do - aid work is good and quite human - but it is not Christian poverty, which St. Paul desires of us and preaches to us. Christian poverty is that I give of my own, and not of that which is left over - I give even that, which I need for myself, to the poor person, because I know that he enriches me. Why does the poor person enrich me? Because Jesus Himself told us that He is in the poor person.
Don't give me any money, don't give me any people, but give freedom, and I'll give you a movie that looks gigantic.
Lord, use me today, use me for your glory, make me bold, stir me up, give me eyes to see the needs of those I work with, give me a heart sensitive to those who are hurting, give me a prompting of the Spirit to minister to those who are around me.
I never let anyone lose their self-respect and make them wait in my office, or hurt them with my words, thoughts or actions. I give my e-mail address to anyone who seeks me out. I ask them to send me their work, and if I like it, I give them an opportunity.
I really love it, I love working with directors that are very collaborative and allow me input. I've done over 75 films, it's just like you're an apprentice. You learn so much about camerawork, lenses, and I'm always talking about DPs and directors and they always give me lists. I think pretty soon, I'll be ready to move away from being in front of the camera.
The humble, simple souls, who are little enough to see the bigness of God in the littleness of a Babe, are therefore the only ones who will ever understand the reason of His visitation. He came to this poor earth of ours to carry on an exchange; to say to us, as only the Good God could say: 'you give me your humanity, and I will give you my Divinity; you give me your time, and I will give you My eternity; you give me your broken heart, and I will give you Love; you give me your nothingness, and I will give you My all.
In true friendship, in which I am expert, I give myself to my friend more than I draw him to me. I not only like doing him good better than having him do me good, but also would rather have him do good to himself than to me; he does me most good when he does himself good.
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
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