A Quote by Craig Revel Horwood

I like fresh, crisp, cool, plain white cotton sheets from Calvin Klein. — © Craig Revel Horwood
I like fresh, crisp, cool, plain white cotton sheets from Calvin Klein.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I have a tweet that said, 'I want to be a Calvin Klein model,' and that was in 2011. And then I modeled for Calvin Klein. And then I had a tweet like, 'I wonder what it's like to be in front of thousands of fans,' and I've been in front of thousands of fans.
There are many things Calvin Klein would have never done - he would have never put men in leggings in a show; he would have never done a fluorescent suit - but these are things that are right for the moment. For example, a fluorescent suit is graphic, and Calvin Klein is about being graphic. And Calvin Klein is always modern at its core, so I inject my own research and my own innovation, and I make it my own. But I never deny that core, because that would be stupid.
Hobbes: What are you doing? Calvin: Being "cool." Hobbes: You look more like you're being bored. Calvin: The world bores you when you're cool. Hobbes: Look, I brought a sombrero! Now we can both be "cool." Calvin: A sombrero?! Are you crazy?! Cool people don't wear sombreros! Hobbes: What fun is it being cool if you can't wear a sombrero?
I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
I have a thing for just a white shirt and blue jeans. I think I grew up looking at too many GAP and Calvin Klein ads.
You know, I'm very particular about my sheets. They have to be one hundred percent cotton, with a high thread count. Only cotton. No flannel.
Calvin Klein and Donna Karan were the big American names at that point in time, Helmut [Lung] was the cool kid on the block and you had Marc Jacobs and John Galliano who starting the revival of the old fashion houses.
I sleep on a Tempur-Pedic mattress, and I have custom-made sheets. They're white with some patterns, and the highest thread count of Egyptian cotton you can get.
Plain fresh bread, its crust shatteringly crisp. Sweet cold butter. There is magic in the way they come together in your mouth to make a single perfect bite.
I think Calvin [Klein] is a minimalist.
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