A Quote by Craig Roberts

I'd done kids' TV in the U.K., but not great kids' TV. So yes, 'Submarine' was the first film and the first good thing that I have done. — © Craig Roberts
I'd done kids' TV in the U.K., but not great kids' TV. So yes, 'Submarine' was the first film and the first good thing that I have done.
I think old school TV shows helped in raising your kids and helped in the way things should be done. Now you just see kids disrespecting their parents, you see kids cursing and all kind of things that shouldn't be done.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
When I've done TV and film, when it's offered to me, I loved doing it, and I would do it again, but the ins and outs of auditioning is - that's time away from my kids.
The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'
It's odd, because 'Mad Men' was the first long-form TV thing I ever did. I'd done loads of independent movies, but after that, it was 'TV actor.' You go, 'When did that happen? Everything else has been erased?'
My kids always say to me, 'Can we watch TV?' I say, 'Absolutely!' because then I can get something done. But then they say, and I wait for it, 'But can you watch with us?' My moment of freedom vanishes. So not only do I not think TV's that great and I hate sitting in front of it, but I have to with them.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.
My very first job was working on a TV show that was a prestigious TV show and well done - was called 'Family.'
Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
I'd never been to Africa. This really was my first film [The Lost World]. I'd done 10 years of stage. I'd done a little bit of television. But this was my first film.
The average person in Hollywood just assumes that if you're on a hit TV show, then that's the first thing you've ever done.
Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
With TV shows that film in London, you're pretty much around for your kids, so that's good.
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