A Quote by Craig Venter

My early years were hardly a model of focus, discipline, and direction. No one who met me as a teenager could have imagined my going into research and making important discoveries. No one could have predicted the arc of my career.
I was an actor when I was a teenager and it could have been the direction that I headed in. But music and my relationship with music is quite deep, and it really is the nucleus of my creativity. So I gave up acting so I could pursue music fully, and I never thought about really going back. And then [director] Lee Daniels met me and wanted to work with me, and that's how it started.
You could not have predicted the amazing discoveries at Pluto, even though we have been to a couple of objects in the solar system that were at least a little analogous to Pluto.
There were times in my career where I could have easily been traded, easily been given up on, and I think me making strides, me making a commitment to myself to come in and get better showed people what I could do each year.
I think the future of China's unknown, I don't know what direction it's going to go in. It could go in the right direction, it could. It could go in a very bad direction, too.
I could never have imagined that, so early in my career, that I'd be ticking off boxes that I've dreamed about since I was a little girl.
'Portlandia' is the most fun show. When I get a breakdown of what the arc of the story is going to be, I could never in my wildest dreams anticipate the direction.
In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform.
There were times in my career where I could have easily been traded, easily been given up on, and I think me making strides, me making a commitment to myself to come in and get better showed people what I could do each year. From there, people started to believe in me, and the organization believed in me, and once that happened, it was on me to take this thing on.
I knew that if I worked hard, I could have both - I could have a family, because that was important to me, and I could have a career.
I don't care about my personal acting career anymore. I'm done with it. After 10 years of making movies and doing better than I ever could have imagined, I sort of had to ask myself: 'What am I supposed to do with all of this success that I have had?'
I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
One of the most important discoveries I made in those early years was that to succeed at natural farming, you have to get rid of your expectations. Such "products" of the mind are often incorrect or unrealistic . . . and can lead you to think you've made a mistake if they're not met.
I've always relied on discipline to achieve goals great and small. At a young age, my father instilled a real work ethic in me - and a fear of men. I always felt like if I didn't have a natural knack for something, I could kind of out-discipline the competition as it were. So I would always work as hard as I possibly could, sometimes to my own detriment and my personal life. For me, I think will power and discipline are very synonymous.
I eventually just imagined being a little boy who was quote unquote 'normal': who could learn like all the kids around me that I felt excluded from. And I imagined myself into one of these and into someone who could read.
I built my [early] career on negative reviews. There was a cultural war going on, the '60s was going on. All the film critics were square. They hated my movies. You could never have that happen today. Critics are way too hip.
. . . if I had been a man, self-respect, family pressure and the public opinion of my class would have pushed me into a money-making profession; as a mere woman I could carve out a career of disinterested research.
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