A Quote by Craig Zadan

I don't understand how other producers who have no experience making a musical jump in and produce one. — © Craig Zadan
I don't understand how other producers who have no experience making a musical jump in and produce one.
Do you want to understand how to swim, or do you want to jump in and start swimming? Only people who are afraid of the water want to understand it. Other people jump in and get wet.
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.
I do not like people writing songs and then other people singing them. A lot of people don't even sing their own songs anymore. It's like producers these days have ghost producers; 'I don't produce, but I am a producer.'
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
I think more to the point, these pivotal times means something other than a politician. I understand the economy. I understand the world. I have a lot of foreign policy experience. I understand bureaucracies. I understand technology, and I understand leadership.
I didn't feel comfortable as an executive. I felt comfortable around artists and record producers... and then I found my niche: I gotta find great producers, and I produce them.
Obviously, from the experience you get from making videos, you understand where the camera is and how some of the actual technicalities work and so on and so forth.
If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
You have to understand the medium you're writing for. People jump into writing musicals without realizing how complicated they are. Knowing one form doesn't necessarily mean you know the other. You have to be comfortable with it.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
Going through this musical experience really helped us to understand the core of the film.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
Like the producers of crops, airplanes, and books, producers of natural gas provide goods to meet the size of their available market. The larger the market, the more they can produce, and the more revenue they can obtain to cover their fixed costs and invest in future development.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.
One of the reasons the producers' credit has been so weakened in recent years, and given to people who didn't deserve it, was that people didn't understand what producers did.
This site uses cookies to ensure you get the best experience. More info...
Got it!