A Quote by Craig Zadan
I don't think we're going to break the law in terms of what you can or can't do on TV. We're looking to do something edgy, different, and special.
Related Quotes
I don't think something necessarily has to be mean or cynical to represent 'edgy.' I think 'edgy' can mean a lot of different things.
In terms of making TV drama, not everything has to make sense. In cinema, you usually strive for reality and a natural environment, but in TV, it's more acceptable to do something crazy and break with naturalism.
The truth is, for me, when I was a young black girl who knew I was different, was watching TV, I would always be staring at the TV set looking for myself, and I didn't see me. And when you don't see yourself, you start to think that you don't matter, or you start to think that something is wrong with you.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
I think because Skype is becoming so much more prevalent, and you're looking at someone else on a screen, it's going to work its way into movies and TV shows in all different ways, which I think is really cool.
Obviously, doing TV and doing theater are completely different because they're two totally different mediums. On stage, you worry about your voice and how you move physically. On TV, something like an eye twitch is what they could be looking for from you because it's so contained.
It's a real democratic time for comedy, and I think my special is a sign for that. You don't have to just be a classic stand-up to get a special, or you don't just have to be on Saturday Night Live to do characters and sketch on TV. The web has allowed me to show that there are different ways to make people laugh, and the special is a combination of those things.
In terms of being typecast, if you do something like Father Ted that infiltrates the public's imagination to the extent that it did, I think realistically you're not going to be asked to do something radically different from that very often. But it's not a problem.
I'm just always looking for something that I've never done, or something that feels unique and special. A lot of it is gut and what you emotionally connect with, and that can be a variety of different things.
The key is to constantly keep the audience surprised. If they feel like something is going to happen, or they think from an educational standpoint that something is about to happen because of all the moving parts, it is your job to break that expectation and show the audience something different.
I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
People don't like the music that's out now, that's on their radio stations, and they want to hear something different, but they're just the audience. You know, people will keep the TV on even if a show is on that they hate - because, unfortunately, they've been programmed to do that. [But] they are really looking for something that's gonna speak to the world that they're living in. That's what people are looking for, but they're not finding it.
You're always looking for something in life that's going to be a new challenge or something that's going to bring something different to ask of you. Hopefully I can just find projects, whatever they might be, that inspire me to do some good work.
We're still staring at TV screens, right? They're still monitors. But the way information is delivered is different. So it creates an interesting way of looking back at early films, because they're actually relevant in terms of the devices people are using. But the consideration, the debate, around those technologies was very different from what's being presented now.
My feeling is that everybody starts out as an emulator. You follow their approach and that's how learning works. The pivot is that I don't think you're going to break new ground unless you do something different.
Related Authors
Declan Donnelly Quotes
English
Producer
Ekta Kapoor Quotes
Indian
Producer
Gauri Khan Quotes
Indian
Producer
J. Michael Straczynski Quotes
American
Producer
James Wan Quotes
Australian
Producer
Jason Blum Quotes
American
Producer
Jimmy Iovine Quotes
American
Producer
Julie Plec Quotes
American
Producer
Noah Hawley Quotes
American
Producer
Noel Edmonds Quotes
English
Producer
Paul Heyman Quotes
American
Producer
Roger Ross Williams Quotes
American
Producer
Samuel Goldwyn Quotes
American
Producer
Shonda Rhimes Quotes
American
Producer
Travis Knight Quotes
American
Producer
Troy Carter Quotes
American
Producer