A Quote by Cressida Bonas
I love that theatre can be political. You can go watch a play; it sends out messages, and you can go away thinking differently to the way you thought about it before.
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I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway.
I like to hang out with my friends, go to the theatre, watch DVDs, read, play with my niece.
Sometimes I don't pick up the guitar for six months or so," "Other times I get away, go to a hotel or something, to write songs. Or go stay with a friend and bring the dog and do stuff away from my normal routine. Then I sit down and play guitar at night. I do it differently every time . There is no set way.
I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.
I failed on a climbing problem eight times before realizing I was climbing as high as I knew I could and then letting go. On my next try I climbed with no thought of failure and reached the top. We cannot know what we can do in advance. The only way to find out is to go all-out trying, thinking only of success.
When you wake up, and you see that America has pulled out of the climate deal in Paris, that sends huge messages about putting coal before the planet.
I was so envious of everyone who went to Sylvia Young Theatre School. I wanted to go, but my dad flat-out refused. He thought I'd become some tapdancing freak without qualifications. And he was right in a way. I'm glad I didn't go. That might have changed.
It is often thought that the Buddha's doctrine teaches us that suffering will disappear if one has meditated long enough, or if one sees everything differently. It is not that at all. Suffering isn't going to go away; the one who suffers is going to go away.
I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
I've had some nice messages after games from players who I haven't spoken to before. I won't name people and drop them in it, but I've had messages from opposition strikers and defenders saying that they respect and love the way I play, telling me to keep doing it and not to change the way I am.
I'd love to go and I'd love to play for my country and go to a World Cup again. I've got to accept I'm not in the current squad and just think, 'If I get it, it's a bonus and I'll give it everything.' But it's hard to do when you've been thinking a different way all your life.
I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.
I'm a big golfer, so in the offseason, that's all I do - golf and play basketball. But during the season, I like to go bowling, watch movies. I love going to the movies. I go to the movies in every city we go. And when I'm at home I play video games all day.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
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