A Quote by Cressida Cowell
I was not a natural. . . . This is the story of becoming . . . the Hard Way.
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The framed tale is, in my opinion, one of the most natural ways to tell a story. If you think of it, the conceit of the frame-less story is actually the odd way of doing things. Without the frame, how do you know the context for a story?
Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.
There is no such thing as a natural boxer. A natural dancer has to practice hard. A natural painter has to paint all the time. Even a natural fool has to work at it.
I can honestly say, there was a moment when I was writing 'Upstream Color' where I fell so hard for what it was becoming that I couldn't think of anything else. I was absolutely secure in this story in the way I'm rarely secure about anything else in my life.
The short story, it's not a step on the way to becoming a novelist.
When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.
I don't accept my business the way it is, to be honest. I don't like what it's become. I don't blame anyone for it becoming the way it has. It's got its own hideous natural progression, just like world events.
Trying to find the story within the story was hard. Filmmaking is such a reductive process in a strange way and you keep whittling away to what is essential.
You've been somebody long enough. You spent the first half of your life becoming somebody. Now you can work on becoming nobody, which is really somebody. For when you become nobody there is no tension, no pretense, no one trying to be anyone or anything. The natural state of the mind shines through unobstructed - and the natural state of the mind is pure love.
She looks like a fairy tale, but yet feels so natural (natural, natural, natural)
This one's a beast, but way to wonderful to be compared to an animal
I love nonfiction the most. It's hard to find a good nonfiction story, and that's why I'm not as prolific, I guess, as a lot of people. They're hard to find. I love the nonfiction writer Ben Macintyre. I think he's terrific at the form of telling a story in a cinematic way.
Becoming a father is the natural progression and the next stage after marriage. So the thought of becoming a father is itself an incredible feeling!
Everyone has a story, and the story changes, and the more I can root into the truth of things - it's so hard - I don't think anyone ever really puts it all together. But somewhere along the way it all became fused.
Becoming an actor is like becoming a father. It's not hard to become one. Making a life of it is the challenge.
We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.
I think, unfortunately, everything is becoming about comfort, you know? A comfortable way to tell a story. The comfortable way, so that the audience will never be lost. A comfortable way to produce a film with green screens or without a lot of physical effort or losing control because of the weather or physical locations.
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