A Quote by Cris Collinsworth

I try to emulate the Lynn Swanns, and the John Jeffersons and the fact they're black or white has nothing to do with it. — © Cris Collinsworth
I try to emulate the Lynn Swanns, and the John Jeffersons and the fact they're black or white has nothing to do with it.
To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area.
What it is is that Barack Obama was raised by a white mother and two white grandparents who, A, told him he was black and that there was nothing wrong with being black.
With my coloring, I'm nothing in black and white. I've seen my films sometimes on black-and-white TV. Disaster.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Now I'm not the type that gets upset, Try to disrespect folks just to earn respect. But learn this fact: whether white or black, I can't be conquered in my style of rap. For jealousy and envy are dumb ones' tools, So Ricky says nothing, he keeps his cool. Revenge is not a mission that the Ruler's on, Just forgiveness required for the wrong that's done.
'The Butler' has virtually nothing in common with its source material, the life of White House butler Gene Allen, except for the fact that the main character of the film and Allen were both black butlers in the White House.
The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white.
Jeremiah Wright is one of the greatest prophetic preachers that black America has produced. What I find striking is that many white brothers and sisters miss the fact that there would be no black church if the white church wasn't political and racist in refusing to worship with us.
A hoodie is worn by everybody: kids, white men, white women, black men. But it clings to the black body as a sign of criminality like nothing else.
Originally, what we call rock 'n' roll was nothing more than an attempt of very bad white performers to sound like black rhythm-and-blues performers. They did their best to emulate, they did their best to paraphrase. And that started what later became rock 'n' roll.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
We had this terrible thing, this awful thing with 'Black and White' happened, where the design of 'Black and White' was actually... was hijacked by the fan sites. Because what happened is, there were so many fan sites on 'Black and White,' the hype on 'Black and White' was just ridiculously huge. It was completely out of our control.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
I was raised to believe that you had to do things better than white people in order to succeed. The old black shows were better than the white shows. "The Jeffersons" (1975) was a lot better. "Good Times" (1974) was way funnier. "Sanford and Son" (1972). Now, though, everyone thinks we're equal, so we submit the same shit that everyone else submits. And then we get mad when they won't air it. You got to go back to the old attitude of it has to be twice as good.
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'
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