A Quote by Cris Collinsworth

I get free meals in Cincinnati restaurants, girls scream when I just walk into a room. — © Cris Collinsworth
I get free meals in Cincinnati restaurants, girls scream when I just walk into a room.
Garden: One of a vast number of free outdoor restaurants operated by charity-minded amateurs in an effort to provide healthful, balanced meals for insects, birds and animals.
The girls, like, in we'll say Hooters, have less clothing than the girls I worked with in those days. We thought it was wild when they just wore little bells and so forth. But today, in restaurants, some of the waitresses almost work in the nude, you know, to get business.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.
I wanna be free. Free to scream, free to bathe, free to paint my toes all day.
I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
I don't go to the mall a lot 'cause girls scream and run at me, and I get shy.
If I had to name one thing that differentiates me from the other women, it's that I get free stuff at restaurants or get discounts.
I would just go in my room and just scream out of anger because I didn't understand how a person could be so vicious and mean.
If you walk into the room, and you're smiling and have a pep in your step, people are going to be drawn to you. If you walk into a room and you're sad and you look insecure, it's bad energy.
I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.
My personal view is, why don't you get out there and try to do something about the things that you don't like, create the jobs that we are lacking, rather than just yell and scream. But if you want to yell and scream, we'll make sure you can do it.
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