A Quote by Cris Collinsworth
Doing studio shows... you don't get the details of the league.
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If you start out trying to achieve a specific thing - like doing stadium shows or going into the studio and doing an album - the end result is what counts.
Music is what I do pretty much all the time. I'm always in the studio. I'm always rehearsing for shows. Always doing shows.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
Most of the games are decided by a small margin. That shows the intensity and the competitiveness of the English league. Everyone knows here the competition is ferocious. It's a bit different than the Portuguese league. But I'm going to try to adapt to this league as quick as possible.
Whatever I do, whether it's cooking shows, books or events, the details count and that's what sets me apart from other food TV personalities. If you take out the details what's left?
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
The league, I think, is doing well. It's growing, it's maturing, and it's becoming a better league.
(on Major League Soccer)
You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.
To win this league, the toughest league in the country, and to be outright champs is a tribute to their effort. It's a great lesson in life for our guys. It shows anything is possible.
When I'm preforming a lot I'm aching to get back in the studio but I love live performance. I love trying to think on my feet and be spontaneous. I like doing that in a live show and I do the same thing in the studio.
When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.
I've been doing theaters like the Warner for about a year and we've found the earlier you get the tickets on sale the better idea you get on how many shows we will be doing.
Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.
It's a weird league in the sense that sometimes you get goals when they definitely shouldn't have gone in, and sometimes you're doing everything right and it's just not going in. It's the way it goes. I think every player who's ever played in this league has gone through it.
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