A Quote by Criss Angel
I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.
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I am endlessly inspired by both the tenderness that can exist between two people and the excitement of falling in love. I'm very fortunate that I've been able to explore that in novels, a television show, some early development film projects, and essays about my own life.
The projects that I've been fortunate enough to do are all projects where I followed my heart. I didn't follow the money or the names. It's all about reflecting my life and my art.
The Momofuku Culinary Lab started as a space where we could focus on creating and innovating. I didn't want us to worry about working on projects in a restaurant; there are just too many distractions in service and running a kitchen to be able to focus on creating your dishes.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
We have several projects in the pipeline, but one of the rules we set for ourselves is we don't want to solicit or announce any projects that aren't ready for publication. I'm personally really tired of reading about titles that never come out.
The process of creating art allows me to learn about the subject I'm illustrating. So, if I want to learn more about plantation life and slavery, I try to find clients that will give me an opportunity to work on projects that will visualize those experiences of the enslaved African and people of color. I get to learn about my roots, and my artwork allows the reader into that world by creating images that are accessible.
I made a decision to live outside the city in northern California. My agent said to me, 'Kid, you're going to make a mint in television movies.' He positioned me, and we picked really good projects, and I cornered that market. They were 20-day projects.
To do stories that I love, scripts that I love, and work with people who are passionate about them and passionate about projects - whether that's on stage or television or film, that's the kind of environment I want to work in.
I always try to take projects I'm genuinely interested and passionate about versus just trying to take projects for the money.
Little projects - not feature - film projects - you know, theater things, writing things, and jobs like doing rewriting for money, stuff like that. I don't recommend it. It's not a schedule that I'd want, although it was really good for me in a lot of ways. I became a better writer.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
I visualise what I want through meditation. The process of meditating is a great way of making sure I have my priorities sorted. It's not about money - I focus on my career and the kind of film projects I want to do. Film-making is a passion for me, and my mantra is that you should do what you love, and the money will follow.
Talking about myself, I get only two to three projects a year but let me tell you they are substantial projects.
Don't get it twisted. It's not about money, it's not about the fame. It's about I don't have to worry about if my little brother is gonna be able to get a new toy for Christmas. It's those little tiny things that really make up the bigger picture. So, my happiness doesn't come from money or fame. My happiness comes from seeing life without struggle.
When I talk to friends and editors about possible projects, especially about projects that might come with a significant cash advance, they usually suggest a biography. Sometimes I'm tempted, but the prospect of spending years researching and writing about someone else's life offends my vanity.
I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
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