A Quote by Criss Angel

Everything that I spent my entire life dedicated to, which is this art of mentalism, of magic... I don't see it and feel it and experience it like I first did when I was getting involved in this art. I try to look at it as a spectator but unless I get amnesia I still can't overlook that. I can appreciate the performance but I would love to be fooled.
Some people are born to make great art and others are born to appreciate it. … It is a kind of talent in itself, to be an audience, whether you are the spectator in the gallery or you are listening to the voice of the world's greatest soprano. Not everyone can be the artist. There have to be those who witness the art, who love and appreciate what they have been privileged to see.
The man who has honesty, integrity, the love of inquiry, the desire to see beyond, is ready to appreciate good art. He needs no one to give him an 'Art Education'; he is already qualified. He needs but to see pictures with his active mind, look into them for the things that belong to him, and he will find soon enough in himself an art connoisseur and an art lover of the first order.
I appreciate that I'm in the privileged situation of getting to spend my entire life outdoors with wildlife, and I know first hand how good it makes you feel, and it's a message that I have to try to get across to kids because as an adult, I can see the dangers that normal modern life exacts upon children.
I would be doomed if I didn't invent humor in my life. When I was young, I had all these punk and performance-art bands, dressed in costumes and painting the room and getting kicked out by police. Now when I perform I still feel the stage is more than just where you put your instruments. It's where you can do whatever you feel like.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
I would make my job a work of art. I would like whatever it is that I'm doing - everyone's experience of me, everyone's interaction with me, everyone's discussion, conversation, relationship with me - [to be] an event within which they get to see who they are. I would make of my life a work of art.
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
I am not really into paintings, to be honest, but for me, the art I love is when I see singers putting their heart into their song, actors giving the performance of their lives, and books and movies that make me feel something I never thought I could; there's art in everything as long as it's made with soul.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
I have the greatest respect for Aborigine people, to whom I owe everything. The time I spent with members of the Pijantjatjara and Pintupi tribes in Australia was a transformative experience for me and one that has deeply and indelibly informed my entire life and art.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
As the art of reading (after a certain stage in one's education) isthe art of skipping, so the art of being wise is the art of knowing what to overlook.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
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