A Quote by Criss Jami

If what you create seems to turn out much stranger than who you are as a person, it's probably because your heart is talking. — © Criss Jami
If what you create seems to turn out much stranger than who you are as a person, it's probably because your heart is talking.
If someone comes along and shoots an arrow into your heart, it's fruitless to stand there and yell at the person. It would be much better to turn your attention to the fact that there's an arrow in your heart.
I don't take relationships too seriously, but everyone else seems to. And when you get your heart broken, it's like the end of the world. And I look at it as that was one moment in your life, one chapter. That person helped you grow and figure out what kind of person you want to be with in the future.
If you've been betrayed by a spouse or a partner, it's much easier to focus on causing that person pain than it is to turn forward and actually create a life that's worthy of you in the future.
The safest person, sometimes, is a stranger on the Internet who lives in a different place. If they're a daily source of support and advice, no one really wants to lose that once they have it. If they know deep down that the person they're talking to isn't exactly who they say they are, it's not worth finding out.
What's been important in my understanding of myself and others is the fact that each one of us is so much more than any one thing. A sick child is much more than his or her sickness. A person with a disability is much, much more than a handicap. A pediatrician is more than a medical doctor. You're MUCH more than your job description or your age or your income or your output.
When you're dealing with African Americans, family is everything. Because we spend so much time talking about how one treats one's family. Telling a black person that you haven't talked to your mother in a week is probably different than it is with other races because people will look at you different.
A lover exists only in fragments, a dozen or so if the romance is new, a thousand if we're married to him, and out of those fragments our heart constructs an entire person. What we each create, since whatever is missing is filled by our imagination, is the person we wish him to be. The less we know him, of course, the more we love him. And that's why we always remember that first rapturous night when he was a stranger, and why this rapture returns only when he's dead.
It's so easy to butt into a conversation and offer your own thoughts or opinions, but try not to interrupt. Instead, focus on what the other person is saying, think twice and be the person that listens. It's so much more valuable than constantly talking.
Anyone who has raised more than one child knows full well that kids turn out the way they turn out - astonishingly, for the most part, and usually quite unlike their siblings, even their twins, raised under the same flawed rooftree. Little we have done or said, or left undone and unsaid, seems to have made much mark. It's hubris to suppose ourselves so influential; a casual remark on the playground is as likely to change their lives as any dedicated campaign of ours. They come with much of their own software already in place, waiting, and none of the keys we press will override it.
The reason I keep talking about a wife and saying the word wife on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
The reason I keep talking about a wife and saying the word 'wife' on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
I'm looking at a tax process that will allow people to keep more of their money because we know what happens when job creators get to keep more of their money than they're - they have the confidence to go out and spend that money to create jobs that in turn create wealth.
I turn you out of doors tenant desire you pay no rent I turn you out of doors all my best rooms are yours the brain and heart depart I turn you out of doors switch off the lights throw water on the fire I turn you out of doors stubborn desire.
You have to learn to follow your heart. You can’t let other people pressure you into being something that you’re not. If you want God’s favor in your life, you must be the person He made you to be, not the person your boss wants you to be, not even the person your parents or your husband wants you to be. You can’t let outside expectations keep you from following your own heart.
When they tried me out as a host on TV, I found that I just couldn't be that gregarious person. I was stranger than that.
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