A Quote by Criss Jami
Closed in a room, my imagination becomes the universe, and the rest of the world is missing out.
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Without imagination, you live in a small room with the windows closed. Imagination opens the windows and shows us landscapes, horizons that we would not otherwise perceive…I want education to empower people to see possibility.
The owl is one of the most curious creatures. A bird that stays awake when the rest of the world sleeps. They can see in the dark. I find that so interesting, to be mired in reality when the rest of the world is dreaming. What does he see and what does he know that the rest of the world is missing?
The child awakens to a universe. The mind of the child to a world of meaning. Imagination to a world of beauty. Emotions to a world of intimacy. It takes a universe to make a child both in outer form and inner spirit. It takes a universe to educate a child. A universe to fulfill a child.
Of course, Jastrow's comment is exaggerated at best; theologians hardly predicted the Big Bang. If our universe turns out to be closed, hence with an end, this does not mean apocalyptic visions of the end of the world were on target. And even if a beginning for the universe is a successful prediction of one version of theism, this is still not that impressive. After all, even a stopped clock is right twice a day. The Big Bang becomes strong support for God only with an argument showing that such a beginning requires a Creator.
I love individuals. I think people are terrific as I meet and get to know them. I like imagination. I like the freedom that this society manages to parcel out to us in the midst of the rest of what they do to you. I also like thinking about the fact that the atoms in me are the same atoms that are in all the rest of the universe, and that every one of those atoms came from the middle of a star. In other words, it's only me out there.
The world is shrinking into a kind of technological funnel. I think people are drawn into their technological devices, and this becomes a kind of subjective universe, into which much of the rest of the world simply does not enter.
When you draw in a tight, controlled style, you open yourself up to - in my case, my own - criticism that things aren't quite right. If room is drawn so carefully, when a detail is wrong or missing, it's wrong or missing. The reader's imagination doesn't add the detail in because there are already so many other details. The reader is restricted to seeing the elements that are right there in front of him/her.
The charity that begins at home cannot rest there but draws one inexorably over the threshold and off the porch and down the street and so out and out and out and out into the world which becomes the home wherein charity begins until it becomes possible, in theory at least, to love the whole of creation with the same patience, affection, and amusement one first practiced, in between the pouts and tantrums, with parents, siblings, spouse, and children.
A TV show is an open universe, whereas a film is more of a closed universe. No disrespect to movies, there's just a lot of artifice in closing out emotional storylines after 90 minutes.
I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
Because the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination.
I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in NY.
There was something missing. But in my world, there is never time to figure out what is, in fact, missing.
Being in grief, it turns out, is not unlike being in love.
In both states, the imagination's entirely occupied with one person. The beloved dwells at the heart of the world, and becomes a Rome: the roads of feeling all lead to him, all proceed from him. Everything that touches us seems to relate back to that center: there is no other emotional life, no place outside the universe of feeling centered on its pivotal figure.
Some imaginations help to break the bondage of the rest. The whole universe is imagination, but one set of imaginations will cure another set. Those that tell us that there is sin and sorrow and death in the world are terrible. But the other set - thou art holy, there is God, there is no pain - these are good, and help to break the bondage of the others. The highest imagination that can break all the links of the chain is that of the Personal God.
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
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