A Quote by Cristela Alonzo

We don't have enough Latinos on TV just getting cast in supporting roles; the idea of having your own show named after you seemed like such a long shot. — © Cristela Alonzo
We don't have enough Latinos on TV just getting cast in supporting roles; the idea of having your own show named after you seemed like such a long shot.
In theater, you can be free. That's how Lin-Manuel Miranda got to do the most revolutionary piece of theater with 'Hamilton': color-blind casting in roles in which they would never cast Latinos if it were a film or TV show. It just goes to show that Hollywood and cable are way behind.
I was able to make the jump to theaters without having a TV show. My passion for getting a TV show just plummeted. It was like I had already achieved what I wanted to achieve.
I admire them [latinos] for making their way up and opening new opportunities for other Latin newcomers. Latinos have come a long way and the roles and opportunities just seem to be improving.
If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.
Honestly, I love television. I love the idea of going to work every day and getting to know your crew and having a rapport with your directors and having a family of cast.
The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like 'Big Brother,' about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
After many of years of getting cast in sweet, angelic roles, I'm finally getting to play closer to my real life as a horrible person.
I wondered if parents had an easier time with the secrets their children kept than children did with the secrets of their parents. A parent's secrets seemed like some sort of betrayal, where my own just seemed like a fact of life and growing up and away. I was supposed to be independent, but he was supposed to be available. Him having his own life seemed selfish, where me having my own was the right order of things.
Actually, guest star roles are really hard. Since you have to walk into a show where the cast has been working together for a long period of time, it can be a real challenge. And you have to feel your way around that while still making an impact on the overall effect of the show.
TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.
I've been fortunate that a lot of roles I've done have been professionals and not your TV stereotype of Latinos.
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
I'm trying to write a TV show. Ideally it would be just a reality-TV show, getting the guy who played Eddie Winslow and Kirk Cameron to live in a house. The Jehovah's Witnesses would come to the house a lot or something like that. I kind of like the idea of Scientologists and Mormons and Jehovah's Witnesses trying to convert Kirk Cameron.
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