A Quote by Cristiano Ronaldo

I don't understand referees. It appears like some players can't even be touched, but in my case, everyone can hit me as hard as they can. — © Cristiano Ronaldo
I don't understand referees. It appears like some players can't even be touched, but in my case, everyone can hit me as hard as they can.
I knew there were certain relationships that existed between referees and players, referees and coaches and referees and owners that influence the point spreads in games.
When you work, you know you can have some problem with the players. This is normal because the manager wants the players to work hard, play well, and the players should understand this.
You win some, you lose some. You get hit you don't get hit, but it's not about how hard you get hit. I think it's about how hard you get hit, then still get up and deliver an even harder punch. I think that's what it is all about.
Everyone makes mistakes, but when players or managers make mistakes, they are all accountable and have to take responsibility. When I talk about referees, you wonder, 'Can I say this?' You have to be careful - but they are the only group in the world of football who are treated like that.
Referees need help. Players are getting faster and fitter and too many referees are making decisions from behind the play. They see a tangle of legs, they are asked to make a decision with one, often obscured look at high speed.
Kenny Norton hit me so hard that it still hurts. Now there was a case of two fighters who did not like each other.
Players thump their cue on the floor when the opponent is coming to the table, or at the table. And the referees need to show some more authority on this stuff. You don't see it so much with top players or on TV tables - they know they can't get away with it.
"A good director is one that lets you improv," that's ridiculous. There's some actors who should not be improving and there are some scripts that should not be touched. I think it's just a case by case basis.
In sum, do not insult me with the beheadings, finger choppings or the lung-deflations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whisper with. I will not go gently onto a shelf, degutted, to become a non-book. All you umpires, back to the bleachers. Referees, hit the showers. It's my game. I pitch, I hit, I catch. I run the bases. At sunset I've won or lost. At sunrise, I'm out again, giving it the old try. And no one can help me. Not even you.
That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.
That is what it is like with Pep. At first, you don't understand. But then you grow up, you work, and now we understand the things he wants much better. It's not like the first season when it took him more time to make us understand his ideas. Some players didn't understand immediately what he wanted.
Some players respond to shouting; some don't. Everyone is different, and that is one of a manager's strengths to understand that some don't respond to that.
The league feels like it's their job to protect the referees more than the players.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
I've had people ask me: 'How can you make a movie about a murderer? A terrorist?' What they don't understand is that I'm in support of everyone who appears on screen. I have to be. I take the position of everyone who's on screen. I'm not judging them one way or another.
It's even hard for me to even watch myself, but that's the case with most actors. It's weird if an actor is like, 'I love watching myself.'
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