A Quote by Cristiano Ronaldo
At Real, psychological pressure on the players is much more serious than at United. This is good. At many clubs, you don't know the consequence of playing badly.
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For 99.9% of the players there, they are at United because they want to be at United, and it is their dream move. That gives United a little bit of an advantage over other clubs, where some players are maybe there because there was financial pressure for them to be sold.
I like to have fewer players. That way, everyone is plugged into what you're doing. There is a risk attached to that sometimes but it's good to have a smaller squad. People have more chance of playing; they're ready and more motivated. Having 18 real players is better than having 25 or 26 not playing.
Some players are bought by other clubs with an eye to them developing into something special in a few years' time. Whereas there's a bit more pressure on some of the other clubs to bring in players who are going to be hitting the ground running and top players verging on world class almost immediately.
If I changed the mindset of some players or my mindset helped some players to be better - maybe. But I don't think it was me changing anything for the club because playing for Manchester United means playing with the pressure, playing with the responsibility.
We've had people like Marc Vivien-Foe die while playing. There have been too many others, including Cheick Tiote. The clubs and the federations have to be serious about giving checkups to the players.
Everything is so much more stacked than it was even five or 10 years ago. There are so many more good players, so many solid players. The level doesn't really drop from around 100-500. It's really tough to make it, but I just have to work as hard as possible.
You have to be careful when you time a move to one of the biggest clubs. Occasionally, these young players do not realise what a good thing they are on to when they know that they will be playing every week.
I think players maybe now want to look more pretty than anything else. What I feel disappointed about when I watch games is too many players think of themselves. Still good players, maybe better than we were, but looking too much at themselves.
I have had players who are good, and who know they are good; I have had players who are bad and
know they are bad; I have had players who are good, but who don't know they are good; I have had
players who are bad, but who don't know they are bad. It is this last group that has won more games for
me than the first three groups combined.
There are two real keys to winning. You've got to have good players: no coach won with bad players. You win with good players. That is number one. Number two is, when we are playing, let's say we are playing Michigan, and they had a really good press: we've got to solve that press.
Today more than ever we need creative minds to address the issues of the age. And one of the most urgent is this: How can humanity know so much, achieve so much, and still fail so many people so badly?
You can have really good statistics, which are really good, and it's a serious advantage, but when push comes to shove, it's about players communicating and players playing together.
Jose has managed at some big, big clubs, and at all of those clubs, there is pressure, it comes with the territory. But he has a wonderful way of dealing with that pressure, and when you manage these sorts of clubs, you've got to be used to that.
There are so many clubs with great squads, good managers, good financial situations that allows them to sign good players.
As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.
There are many excellent guitar players but I have to say Jimi Hendrix and Eric Clapton are still at the top! There are many imitators but very few genuine articles. There is so much more to playing than a fast blur of notes, like feeling and emotion from the soul. It's like punctuating a sentence and knowing when to lay back and not fill up all the space. Those are the things I tried to teach my son Tim when he began playing.
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