A Quote by Cristin Milioti

I love a band that has a banjo, that does group harmonies and yells out the word 'Hey' or 'Woo.' I live for it. — © Cristin Milioti
I love a band that has a banjo, that does group harmonies and yells out the word 'Hey' or 'Woo.' I live for it.
If you say, "Woo, woo, woo!" to me, I'll say it back. I love it. "Woo, woo, woo" is something that my character used to say. It's something that my mother used to say to my brother and me when we were kids. When words would fail her, she'd just go, "Oh, woo, woo, woo." It's compassion. It's a combination of "I see you, I feel you, I acknowledge you, I got your back."
I used to have a musical group with a girlfriend called The Thunderclouds. It was like a Beach Boys cover band. And we would just figure out Beach Boy songs - break 'em into two-part harmonies. And, you know, we played a couple of shows around Olympia. It was very fun.
I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.
We cannot fight for love, as men may do; we shou'd be woo'd, and were not made to woo
The banjo is such a happy instrument--you can't play a sad song on the banjo - it always comes out so cheerful.
The thing about the banjo is, when you first hear it, it strikes many people as 'What's that?' There's something very compelling about it to certain people; that's the way I was; that's the way a lot of banjo players and people who love the banjo are.
Our vocal harmonies started to feel like a cop-out: all group-singing, all the time.
The key here are two little words: the word 'or' and the word 'and'. Nintendo is not an or company, with games devoted to just this group or that group. We're an and company, with games for this group and that group and for groups that don't even call themselves gamers yet.
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
We are in love with the word. We are proud of it. The word precedes the formation of the state. The word comes to us from every avatar of early human existence. As writers, we are obliged more than others to keep our lives attached to the primitive power of the word. From India, out of the Vedas, we still hear: On the spoken word, all the gods depend, all beasts and men; in the world live all creatures...The word is the name of the divine world.
I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
My boyfriend - Matt Kaplan - is American, so any time I'm unsure of how to say something, I say, 'Hey how do you say this?' and he yells it out.
In a way I think Bill Clinton is more likely to forgive and move on or at least try to woo people who don't love him. But he never really tried to woo the press as much as he might have.
One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.
I think what AC/DC does best is play live. That's when everything comes together. Even after you make a studio album, when you go out and play live, that's when you learn what being in a band is all about.
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