A Quote by Cristin Milioti
I knew a lot about the Coen Brothers by the time I was 12 or 13.
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Anything that is absurd I see as a Coen brothers' influence! The Coen brothers are my favorite people period.
I knew being a musician was my calling when I was 12 or 13. I started singing when I was six but didn't actually see myself being a singer when I was 12 or 13.
I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
I was a huge Jonas Brothers fan, unapologetically, when I was 12 or 13.
At 12, turned 13, made a movie with Sex Pistols and The Clash. Learned about a lot of things I never knew and hope will never know again. Don't know how my parents let me do that.
'Fargo' definitely makes it into my top three favorite films of all time; I have a serious obsession with the Coen brothers.
I was 12, about to turn 13. [Laura Ziffren] pretty much knew she wanted to use me, so I just had to go and do the proper protocol and audition.
Quit while there is still time - at about 12 or 13 years of age!
To me, the bones of 'Smokin' Aces' is in the Coen brothers. 'Barton Fink' and 'Raising Arizona.' Those two movies, if you look at them, that's where a lot of that comes from.
What I love about the Coen brothers - what everyone loves - is that they sort of toe the line of a truly dark comedy.
When I was 12 or 13, I realised I was good, but I never knew how far I'd get.
That experience [in Hail, Caesar! ] ruined me for all future experiences, because the Coen brothers are the best. They're arguably the greatest of all time, if there is such a thing.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
When I was about 12 or 13, my father gave me 'The Little Prince.' He was making sure that I knew it was a special book. I'd seen the name of Antoine de Saint-Exupery, but to me it seemed a very French name, and I was not excited about him as a person.
When I was 12 or 13, my dad taught me a couple of different chords, and once I learned chords, I never learned to read music, but I learned tablature, like a lot of kids do, and I learned songs that had the chords I knew. It took me a long time to understand the upstroke of picking and strumming, but once I did, it all fell into place.
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