A Quote by Crystal Bowersox

You have to learn to draw the same emotion you had when you wrote a song every time you perform it. Acting is the same way: You have to find those emotions and bring them to the surface, and then put them back when you're done.
I have good kids, I love my kids. I try to bring them up the right way, not spanking them. I find that I don't have to spank them. I find that waving the gun around pretty much gets the same job done!
We Are All the Same Listen to the reeds as they sway apart; Hear them speak of lost friends. At birth, you were cut from your bed, Crying and grasping in separation. Everyone listens, knowing your song. You yearn for others who know your name, And the words to your lament. We are all the same, all the same, Longing to find our way back; Back to the one, back to the only one.
When you act, it's better not to fake the emotion. It's better to find the emotion within yourself and your experiences, and see if you can bring that back to the surface, so that you can then literally hand it off to the character, and then let him run with it.
You write a book, it's out for however many years, and with the passing of time, you're not the same person. I'm not the same person I was when I wrote those books; I'm not even the same person I was when I started writing 'Beg.' I had many shifts spiritually, and one of them was in the use of language.
As a student, you have to learn what areas are most difficult for you... Those are the same difficulties you'll have as a professional artist, so the school is the place to notice them and to find a way to make them work.
My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.
A constant goal of mine is to try to put myself back in the place when I wrote something - not just to perform it on a surface level, but to re-enter that headspace, that emotion. That's the point of a live show - for it to feel immediate and present and a little bit unpredictable.
My favorite song to write was a song called "Always" I wrote it about a girl who, at the time, I had feelings for her for a long time but she never really felt the same back. So it's one of my more personal songs and I'm very proud of it.
The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.
Golf is like acting in that both require concentration and relaxation at the same time. In acting, you can't push emotion. You have to let it rise from you naturally. Same thing in golf. You have to have a plan and a focus; but then you need to just let it happen and enjoy the smooth movement of the swing.
Don't use a different dish for every single ingredient. If you've got three ingredients that go in at the same time, put them all in the same plate. That way you have just one plate to dump in.
None of my songs sound the same. None of them. I take R&B beats and put it as a rap song or hip-hop beats and put them as a R&B song. A lot of people are boring. I don't like boring music. Everybody sounds the same, like they copying.
It's not superstition, but I do everything exactly the same on game days. I'm a creature of habit. I eat the same breakfast, and then I drive the same way to practice. Then I come back and eat the same exact same lunch before every game.
I stay true to my lyrics. If I go back and look at them in hindsight, the emotions I had when I wrote them have passed. It feels unjustified to change them.
I think we can learn a lot about a person in the very moment that language fails them. In the very moment they they have to be more creative than they would have imagined in order to communicate. It's the very moment that they have to dig deeper than the surface to find words, and at the same time, it's a moment when they want to communicate very badly. They're digging deep and projecting out at the same time.
An actor's job is to find variations of the same emotion in his being so that every time he expresses grief or joy, it doesn't look the same.
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