A Quote by Crystal Hana Kim

I came from a practical family. The idea of being a writer seemed impossible to me. — © Crystal Hana Kim
I came from a practical family. The idea of being a writer seemed impossible to me.
I've always wanted to be a poet at the beginning. I would look at my grandparents' books and my parents' books. And in my family, a typical aspirational Jewish family, being a writer was very much exalted, and it seemed impossible to me, that I could ever do something like that.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
Then I came up with this crazy idea just to walk out on the stage with no band at all and just start singing whatever came to mind. I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.
I was always interested in being a writer. Yet, at the time, it somehow seemed more unfeasible to be a writer than a musician.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
More than any other personality trait, my mother seemed to be ruled by anger and sadness. She seemed to hate being a mother. Watching her unhappiness as I grew up made me conclude that the answer was to try and be as unemotional as I could, which many therapists have taught me is a bad idea. It also made me want to avoid marriage and having children.
We had no idea what we were in for when we started Blue Sky. We just had an idea of what we wanted to do. When we got to a point where it seemed impossible, we just kept doing it. After 18 years, we have a lot of it done.
I guess, when I left university, I liked the idea of being a writer, and I thought then that being a writer really meant that you were a novelist. But if one of the impulses for being a novelist is wanting to be a storyteller, I never had any urge to tell stories.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
I wasn't going to be an actor. I was going to be a lawyer. I came from a family just above working class, just below middle class, a great family of wonderful values. The idea of me having a chance for a law degree was enticing. Enticing to me but also very enticing to my family.
I became a writer because during several of the most important years of my life, writing seemed to me to be the most unreal, unattractive, and unecessary idea ever imposed upon the human race.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
I came from a lower-middle-class postwar family in a time of austerity and retrenchment, with no one in the family who was in any way artistic or a potential mentor to a budding writer, and yet this is what I became.
When I came to New York as a writer, I was taken with the idea that you're only getting in on bridges and ferries and through tunnels. The idea behind 'Takedown' is that it would be very hard to get out.
The planet is populated by human beings, of which there are only two sexes, and the role of the writer is to explore otherness, other realities. So the idea of a man exploring what it's like to be a woman doesn't strike me as being that wild or crazy an idea.
I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'
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