A Quote by Cub Swanson
Digging down and finding out where your head is at when a fight is about to come, I used to get to a dark place and that's not really a place I want to go anymore. I got kids, I enjoy my life and I'm having a good time. I don't feel like I need to go there anymore.
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I found that quiet place in my home that is my place of refuge. I don't care if you got kids or if you are married. You got to find that one place that is your everybody-off-limit place: unless this place is on fire, or you need to go to the emergency room, don't disturb me. You can go to this place and cleanse, meditate, let God speak to you.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.
It's not an easy place to be - to write a horror film. You go down the stairs to the dark to find these characters. It's not a place anyone can go, and sometimes it's not a place that you want to go.
A library is many things. It's a place to go, to get in out of the rain. It's a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books---the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
I would say that it is important to have it in your mind, what your attention is and what you want to do. Really just go for it, and fall and go for it again, and learn and continue to go for it. First, it starts as an abstract idea and you have this dream and desire. It will take you to one place, and in that time you act in a certain way and you do what you have to do in that one place to get you to the next place. It is constantly building into this idea that you have.
When guys come over to date my daughter, I'm going to tell them, 'I want you to go out and have a very good time with my daughter. I want you to enjoy yourself and have her home on time. If you abuse her in any way, I'm going to kill your mother and father, cut your back open, pull out your spine, and leave you in a wheelchair so you can think about what you did for the rest of your life. Now, go out and have a good time!'
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
I spend a lot of time at my son’s school and I really wanted to do a movie that the kids could see. The good thing about being my age and not having to be the ingenue anymore is that I get to be a mom. I get to have kids in my movies.
I spend a lot of time at my son's school and I really wanted to do a movie that the kids could see. The good thing about being my age and not having to be the ingenue anymore is that I get to be a mom. I get to have kids in my movies.
I try to go throughout my daily life just as if nothing has changed, but you don't have much anonymity anymore, which feels really good. People come up, and say hi and they enjoy your work.
The beautiful thing about 'Drag Race' is it's the most inclusive television show, probably on the planet. It's the place where kids go because they feel like they don't fit in anywhere else. It's the place they go to feel safe.
The trade schools closed, so young Black men don't know how to build a house, or put a roof on a house or build cabinets anymore. We used to go to school to learn how to make ourselves useful in the trades. Then a man by the name of Samuel Gompers, a Jewish fellow, brought tradespeople from Eastern Europe, unions started and kept us out. We're having a problem on the national level, on the state level and on the local level because it's telling us that the White man doesn't want you anymore. You have no place in his house anymore except to be a little flunky around the door.
What we've witnessed in the past 25 or 30 years is just incredible. We've birthed 30,000 or 40,000 restaurants. I used to go to Europe every year to get experience [and ideas]. I don't go to Europe anymore. I go to Oregon, I go to Washington, I go to Louisiana, I go to Little Rock, I go to Austin, I travel New York City. I don't go to Europe anymore.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
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