A Quote by Cuba Gooding, Jr.

When I started in the business, you did television, and then when you got lucky, you got a prestige project of a film. — © Cuba Gooding, Jr.
When I started in the business, you did television, and then when you got lucky, you got a prestige project of a film.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'
Both my parents work in film. They're crew. I love movies, and I just wanted to be involved. I got really lucky. I auditioned for a while and then started making films.
I started to book good television jobs in 2010. I started to get really close to exceptional jobs in 2011, and then I got 'Arrow' in 2012. I know how lucky I am because just getting the lead in a pilot doesn't guarantee that that pilot is going to turn into something great.
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
I never really expected any of the music business to happen, but I'm glad it did. It was a very cool thing to happen. It was a hobby for me. I used to do it to meet girls. If you had long hair and could play a guitar then you got girls. That's how I started. Then I fell in love with the music and got carried away.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
If you've got the power to raise prices without losing business to a competitor, you've got a very good business. And if you have to have a prayer session before raising the price by a tenth of a cent, then you've got a terrible business. I've been in both, and I know the difference.
I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
I got into television criticism because I thought it would be easier than film criticism. Film, you had to know 100 years of history, and TV you only had to know 40 when I started. And I thought, "Well, that's going to be so much easier." But film stayed pretty much the same. And television has changed so many times that my head hurts. So I made the wrong call there.
I never had a business plan. I did, actually - I'm lying. My business plan was to get lucky, and I did; that was great. And then my second business plan was to get lucky again, and there, I faltered.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
When I got back into the film business after college, I started out as a production assistant.
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