A Quote by Cuba Gooding, Jr.

I am admiring of my fellow peers, black filmmakers and black actors and actresses. — © Cuba Gooding, Jr.
I am admiring of my fellow peers, black filmmakers and black actors and actresses.
The industry looks for white actors and actresses, but it's not the same for black actors. We have to really put the work in.
Hollywood is designed to check the box office on Monday morning and see: "How'd we do? How much?" It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
Of course Black Lives Matter and the killing of young black boys is heartbreaking to all of us. Everyone knows I am a black mother of a black son, so there is no way I could watch what's happening and not be affected.
My writing is definitely influenced by and speaks to African-Americans because that is who I am. I'm black. I'm a black woman. I'm a black mother, wife, churchgoer, etc. I am the legacy of slavery.
Virginia Mayo had kind of a small role in The Best Years of Our Lives, but you got the whole character in one scene. Where are those parts? I was talking to somebody about great actors: Morgan Freeman's name came up, Forest Whitaker, Denzel Washington. And I realized, there're no black actresses. Where's there a black actress who's been extremely successful in the past 10 years?
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.
The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.
My interest as an artist is to illuminate the lives of black folks. I definitely am focused on films that illustrate all that we are and all our nuance and all our complicated beauty and mess, and when you're telling those stories, you gotta have black actors.
I am a Negro: Black as the night is black, Black like the depths of my Africa.
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