A Quote by Cuba Gooding, Jr.

The roles that I always get attracted to are roles where the material is based on an actual person. — © Cuba Gooding, Jr.
The roles that I always get attracted to are roles where the material is based on an actual person.
I don't pick my roles based on what clothes I have to wear. I pick roles because of the character I have to portray, and the public have enjoyed seeing me in those roles.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I did roles that I hated, and there were roles that were detrimental to my acting ability. There were roles that I was always doing that were always the comic relief... it was destroying my soul.
I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.
I'm always attracted to anti-hero roles.
I could play Arab roles, even German roles, Italian roles because I had that look.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
I like playing an array of different roles. From the fun, comedic roles to the serious roles. It's always fun to play the role that either closely represents your own personality or the role that is completely opposite of yourself.
George Hearn taught me that you learn that there are roles that are Tony roles and roles that are not.
I'm not getting into rooms for cis roles. I started my career auditioning for those roles, and then I went to play trans roles. And now, I feel boxed in.
One is always attracted to pieces of theatre with great roles for women.
But I'm attracted to roles where I get to really go in and explore a character.
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