A Quote by Cupcakke

Whatever I write is coming out of me naturally. There's nothing to prove. Everything has been proven already. — © Cupcakke
Whatever I write is coming out of me naturally. There's nothing to prove. Everything has been proven already.
I have to prove everything. Especially when you're coming from an off year after the injuries, and you come back, and you have to prove a lot of things to the fans, to the team, to your teammates, to the sport. You have to prove a lot of things out there on the field.
There's nothing to prove, nothing to figure out, nothing to get, nothing to understand. When we finally stop explaining everything to ourselves, we may discover that in silence, complete understanding is already there.
I had to prove everything because I was coming from Milan, and nobody knew me. I was a young talent who hadn't done anything, so I had it all to prove and all to do.
I've got nothing to prove. I've already proven to everybody that I'm untouchable.
You can rarely prove something to someone who does not want to see it proven, and even more to the point, you can almost never prove something to someone who has financial or ideological reasons to not see it proven.
I'm not going to put out a Christmas CD until it's coming out of me naturally.
The underdog is a person that's at-risk, a person that has a lot of big trials you have to overcome. I mean that was my life. Me - coming from a single parent home. I didn't have offers coming out of high school. So I had to really have faith and lean on Jesus for everything because nothing was given to me. I had to really work for everything. I'm definitely an underdog. I think Jesus made me be in that situation to be able to relate to more people. That's why give back to the at-risk kids.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
To believe something strongly when it is clearly hard to define and prove, and has not been proven, is to be prejudiced.
Though pigs have been proven susceptible to a porcine spongiform encephalopathy, the National Pork Producers Council claims that no naturally occurring cases of 'mad pig' disease have ever been discovered.
But nothing will persuade me that the mere fact of being in a place is enough in itself to justify the effort of getting out of bed to become a tourist, or even a traveller. I don't have the slightest wish to be intrepid. I don't want to prove myself to myself or anyone else. I don't care if no one thinks me brave or hardy. I have no concern at all that I did not have whatever it is I should have had to take a dive out of a plane or off a building. None of that matters to me in the least.
My family knew I was gay when I was 15, long before I got famous. But it's a very different thing coming out to your family and coming out to the universe. That's a big step. Maybe without me, there wouldn't be Adam Lambert. Without Bowie, there wouldn't be me. Without Quentin Crisp, there wouldn't have been Bowie. So everything is part of a big daisy chain.
As a historian I understand how histories are written. My enemies will write histories that dismiss me and prove I was unimportant. My friends will write histories that glorify me and prove I was more important than I was. And two generations or three from now, some serious sober historian will write a history that sort of implies I was whoever I was.
I don't have anything to prove as a writer anymore. I write about Panera Bread or Red Lobster or Satan or Richard Ramirez or whatever comes to mind. I just write.
I have often been asked what I wanted to prove by my photographs. The answer is, I don’t want to prove anything. They prove to me, and I am the one who gets the lesson.
I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.
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