A Quote by Cupcakke

When I did 'Ephorize,' I didn't know that later on I'd be releasing another album. It just came. — © Cupcakke
When I did 'Ephorize,' I didn't know that later on I'd be releasing another album. It just came.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I don't really think about what the subject of my next album will be. I just know that I'm going to make another album.
I did an album and they allowed me to sell it at the show. I also did a Disney cruise line gig. I always wanted to make an album and it was an idea that came to me when we first started working on Aladdin.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
There's not a great danger in releasing the first single from an album without a video because the momentum from the last album will cause large numbers of fans to buy it.
It's just kind of ironic with how I came into the NBA with all the expectations. You would've thought coming in the way I did that my career would last long. You'd think I'd have my more peak years in the beginning or middle. Mine just came a little later.
Everything that came later... the roots are all there in the first album.
Releasing an album on a major label is like sending a package through Fed Ex. You know that it'll get there, and you know that it'll get there on time.
I just remember that when Jennifer Love Hewitt released an album a few years back, it was like 'Oh, why is Jennifer Love Hewitt releasing an album?' But if Queen Latifah, or Justin Timberlake, or anybody else wants to be an actor, it's like 'Yeah, I'll go check that out.'
One day, it hit me that music is my calling. I just started playing and writing music. How, I don't know. I just started doing it, and then this big voice came out of my mouth. And it felt like I was releasing something.
For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.
I was protected behind the walls of my house, the walls of the mosque and later, walls of my school. I didn't know that I was Palestinian. I knew that I was a girl, but the identity issues came later when I was 12 or 13 - then, they came in a very strong way.
Just like zillions of children, album covers educated and informed me, and certainly did I later transpose organically, rather than by intent, those principles both in fashion design and photography.
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