A Quote by Curt Smith
American rock was, and still is to some extent, a closed shop. REO Speedwagon, Toto, Boston, Foreigner all those bands, and I wouldn't be able to tell which from which.
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I have a fascination for well-produced '70s and '80s rock with a lot of harmonies. AOR bands like Journey, Jefferson Starship, Toto, Kansas, Boston.
I just picked up a lot of classic-rock, melodic influence from my mom, music that she listened to, like 10,000 Maniacs, Led Zeppelin, REO Speedwagon and Yes.
And for REO - they get to play for some Styx fans and then we get to play in front of some REO fans. It helps spread the new music to the following of other bands.
I have always tended toward extremism: I'm Motorhead rather than REO Speedwagon.
I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.
My older brother was into Creedence Clearwater Revival and ZZ Top, and my sister was into pop radio. So somewhere along the line, I got into Ozzy Osbourne, REO Speedwagon, Heart, Pat Benetar, Journey.
The age of the rock star was coterminous with rock n' roll, which, in spite of all the promises made in some memorable songs, proved to be as finite as the era of ragtime or big bands. The rock era is over. We now live in a hip-hop world.
If you listen to the radio, and something beats you into surrender, like 'REO Speedwagon', and you really hate them, there's 'You Can Go Your Own Way' in your ear all day, and that's what makes a good song.
To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't yet really understand, to the extent that I still believe in that, I have to believe that there are viable degrees of freedom inherent if not realized in interstitial areas.
The final test of Afro-American studies will be the extent to which they rid the minds of whites and blacks alike of false learning, and the extent to which they promote for blacks and whites alike a completely rewarding participation in American life.
I would like to suggest to you that the extent to which government in America has departed from the original design of in habiting the destructive actions of man and invoking a common justice; the extent to which government has invaded the productive and creative areas; the extent to which the government in this country has assumed the responsibility for the security, welfare, and prosperity of our people is a measure of the extent to which socialism has developed here in this land of ours.
It [also] lives on its history, now, to some extent: its achievements [ of the Commonwealth] in Rhodesia and South Africa, which were enormous. And they'll live on that for some time, I guess. And there is still - I'm out of touch with it now, of course - but I still think there is a degree of cooperation at the economic level, to some extent, with the more developed countries helping the less developed. How substantial that is now, I simply am not versed.
There's very few rock & roll bands. There's rock bands, there's sort of metal bands, there's whatever, but there's no rock & roll bands - there's the Stones and us.
All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
Two of my favorite bands, Blackberry Smoke and Black Stone Cherry, I just think both of those bands are a good new progressive kind of Southern Rock that's a little different than us but still has a rootsy thing going on.
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