A Quote by Curt Smith

What happens with writing a song and demoing it, for me the demo always becomes the master. — © Curt Smith
What happens with writing a song and demoing it, for me the demo always becomes the master.
It was a song I wrote for my wife as a present, never intending for it to be a Styx song. 'Babe' was a demo. The demo became the hit record, including all the background vocals, which were done by me.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
Movies, there are moments when you're writing a song or demoing, a moment in the recording studio. Musicals much more just eat up your life for a certain period of time.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate...Everything that happens to you influences your writing...The writing process for me is pretty much always the same-it's a solitary experience...I have yet to write that one song that defines my career...Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.
I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.
I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.
Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
8th grade I started writing my own songs. They weren't good songs or anything, but it was always the song writing aspect of things that was important to me, I always just wanted to create a song it seemed like.
Fun is when you're writing a song and you're trying a rough shot at a demo and... it works. That's when it's fun. After that, it's work.
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
I really think it's just the people you put around you. For instance, you mentioned "Kiss Goodbye," that was a song that was brought to me by Dan Couch and Dale Oliver. They had already started writing it without. They had put together this whole demo of music with no lyrics.
Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them.
Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
And, as always happens, and happens far too soon, the strange and wonderful becomes a memory and a memory becomes a dream. Tomorrow it's gone.
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