A Quote by Curt Smith

We released 'Mad World' as a single because we felt the music press would like it. — © Curt Smith
We released 'Mad World' as a single because we felt the music press would like it.
I feel like not all press is good press. Sometimes personal things can be released, and... that's not good press.
So much is filtered by pop music today, because the music industry is driven by single, single, single, single, the next single, not the nurturing of artists and that kind of thing.
I never felt like I had a surface image to rely on that people would like - I always felt like my music would not be very fancy music, my voice is not very fancy, there is nothing hiding me from the audience.
When we started out we got a lot of positive press around the single 'Step Into My World', and a lot of Radio play. The single did really well, so we were in the spotlight straight away. I obviously had my history with Ride, but I didn't want to talk about that, so all the interviews centred around how I'd had these auditions and found the band members that way. I think people felt like that was not 'for real' enough or something.
I guess when I got into my preteens, I turned about 12 and I decided to sing R&B, because I felt like one day there were some things I felt like I would want to say, that I couldn't say with gospel music.
Everyone wants to be loved, generally. If you released a record and nobody said anything, if you didn't get any feedback from people you don't know, i.e. the press, you'd be sort of upset. To me, any press is good press.
'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they were just doing the interview because it was their job.
During my captivity, I felt abandoned by everyone apart from my family and supporters, because there was no part of the political spectrum that would want me released.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
Man is almost mad-mad because he is seeking something which he has already got; mad because he's not aware of who he is; mad because he hopes, desires and then ultimately, feels frustrated. Frustration is bound to be there because you cannot find yourself by seeking; you are already there. The seeking has to stop, the search has to drop.
I'd always thought I would feel like an animal released from its cage when my student days were finished, I felt more like a bird that had been pushed from its nest and told it must fly.
The world is too serious. To get mad at a work of art-because maybe somebody, somewhere is blowing his stack over what I've done-is like getting mad at a hot fudge sundae.
I love... different kinds of music. I like classical music and pop music. I like alternative, and I like rap, hip-hop, and I kind of collected all these things that I love, and they infused my sensibilities, and I just wanted to sing because it felt like it needed to come out of me.
I think that's necessary in photography. We try to simplify the chaos that's out there - and that's true of the natural world as well as the mad-made world. Clearly, it's easier in the mad-made world because it has already been structured.
Yes, I am mad - like the Marquis de Sade was mad, like Giordano Bruno was mad, like Antonin Artaud was mad.
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