A Quote by Curt Smith

Every album is like starting our career over again. We don't get blase, we don't get lazy. — © Curt Smith
Every album is like starting our career over again. We don't get blase, we don't get lazy.
I'm not lazy, but I don't have that spur on my ass that most people have, like, "Oh, god. I have to get something out or else my career will be over!" I don't really care if my career is over.
Sometimes I get a little lazy, so that's a problem. When I am travelling and am very busy with work, I don't get time to work out, so starting up again and getting back into a routine is difficult.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
I put out an album once every four or five years and it's kind of like starting over every time.
I'd say a little over a year ago I started doing TM and that's really changed everything. Starting your day off with that and ending with that is pretty powerful. Twenty minutes, you just notice the difference. When I get lazy and don't get it in, I can feel a difference. I do it first thing when I wake up.
I've always known from the beginning of my acting career that you only get an acting job if you've got something to learn about it. If you don't do it well, you'll be condemned to doing the same role over and over and over again. If you do it mediocre, you'll have to do it again.
But everything that I did starting out, every job that I had, I haven't regretted any of them. They've all been informative, interesting in one way or another. With a career, I think there's this idea that you're just trying to get somewhere. It's like, "Oh, okay, let's keep going, because if I do this, I can get this, I get this, this." It wasn't that way. I did what I wanted to do when it was in front of me, and I'm trying to continue to do that.
As I get older in my skateboarding career, I would like to get more into the business side of things - starting my own company or investing.
It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
I believe a band has to evolve rather than making the same album over and over again, because if you do, sooner or later people are going to get tired of you.
I'm not in any rush to get anywhere. There's a pressure on actors to get somewhere before it's over. But everyone wants longevity, don't they? It's a career. Why be that flash-in-the-pan, taking every job out of worry it'll soon be over?
I think what's more important to The Prodigy is that, whatever number your album goes in at, or the single, or however many plays it gets, or doesn't get, or awards you get, or don't get; our reward, as a band, is to write the best album we can and then go to Download festival and rip it to pieces.
I do have a personal trainer who I'll go to every day - I lose loads of weight, then I get lazy and put it all back on again.
I feel like as you get older, the roles you get change, and you don't always want to do the same tone over and over again.
As constituents, we've become lazy in terms of what we want and how to get it. If we, as a constituency, don't like what Congress is doing, but 90 percent of incumbents get reelected every year, that's a problem.
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