A Quote by Curt Smith
I think Roland read 'Primal Scream' first and then gave it to me. This was, I think, even prior to 'The Graduate' days. We both got heavily into and it offered a lot of questions about how screwed up our home life was.
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What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.
I can still remember. I was ill, and I was seven, and my father didn't want me to just read children's books. He came with Conan Doyle. I tried, and I liked it. I think the first I read was 'The Sign of the Four'; 'Study in Scarlet' was the next one. Then I guess I stayed home a few extra days from school to read.
I did not intend to be a writer. I first wanted to be a lawyer, like my father. Then I got bit by the bug of philosophy and wanted to be a philosophy professor. I went to graduate school and quickly discovered it was impossible for a woman in those days - this was the early fifties - to be a philosopher, so I gave that up.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.
A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.
I'm supposed to be a christian, but most days I don't feel like I can even presume to say that about myself any longer. I have a lot of mad left over. When I can't sleep, I think about the other people who didn't care how much pain and trouble they caused me. And I think about how good I'd feel if they died.
I think god gave us talent because he screwed up our hair
And then I screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers.
[I am more than happy to invite my five favorite fictional characters.]Roland Deschain from Stephen King's Dark Tower series. There's a whole world about Roland left to know. I've got questions. He'd have answers. So pour him a glass of wine.
So basically, it just really represents our band and we didn't even think about that when we decided to call it 'Warpaint'. And then through getting asked questions about "why is that song called 'Warpaint'?" - then we realised, "oh my god! THAT'S why!" And we didn't even know why... but that's why! And then 'Shadows' is just... I love that song and it's personal to me. I love how it turned out!!
I was living in Knoxville, Tennessee, and I didn't really know how you would become a singer. I didn't even think that I could do it. I didn't even dream about it. But when I was 12, it was that year where I got tall, boys got cute, everything was weird. Then my parents split up on top of that, so it was a big year of change for me.
I wanted to learn how the business worked. I wanted to see how people got drafted, how players got traded, how they got picked up in free agency, how the salary cap worked, how do you manage an organization, how do you negotiate contracts. The Bulls gave me an excellent opportunity to answer all the questions that I wanted to ask.
Unfortunately, the reporters ask the same questions over and over again. When reporters keep asking the same questions, they've got to recognize I may hear these questions 20 to 30 times in a matter of days. It gets to the point where I think, 'Read the other interviews!'
We became Homo sapiens not that long ago, from the scientific perspective, and we've retained a lot of our beast nature. We've done all these amazing things in terms of our knowledge base and technology, and now we're flying around and using the internet. But we're still very animalistic. So, I think about hierarchies. I think about evolution. I think about how we stack up, how we sit on top of each other. How we pray that we know what we're up to.
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