A Quote by Curtis Fuller
I more or less think that the trombone was chosen for me. I first selected a violin, which I didn't do too well with, and, ironically, the only thing left was the trombone. My next choice was a saxophone, but they didn't have any; so I think that the Creator had a lot to do with what I did...Because things just happened, you know, and I had no control over it. And I ended up with my instrument that I play now.
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One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
The thing that influenced me most was the way Tommy played his trombone. It was my idea to make my voice work in the same way as a trombone or violin-not sounding like them, but "playing" the voice like those instrumentalists.
I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!
Most people don't even know what a trombone is. It's not that popular as a front instrument... I picked it up and fell in love with it as a kid. It's a difficult instrument, but I like doing things that seem impossible.
I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.
The Circle had been less than thrilled by its choice, but we'd finally come to terms. As in, they were no longer trying to play Whac-A-Mole with my head. Only now they seemed to think they had the right to make sure that nobody else did, either. That was a problem, because the vampires felt the same way and the Senate didn't share well.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
I decided to play the saxophone because it was the most obvious instrument in my family. There were a lot of saxophone players in my family, and there were extra saxophones, so that was an easy one to pick up. It was fun - it was okay - it just wasn't me. It didn't feel like my instrument, so I never followed through.
The first time I heard Jack Teagarden on the trombone, I had goose pimples all over.
I think he gets a lot of respect just because he's my dad, too. Even if he hadn't had any experience. But I think he comes with a lot of experience and all of that as well, so I think people enjoyed working with him and had fun and also respected him, which was nice.
You just do the best you can. It doesn't necessarily mean that you have to get worse the more you do it. It can get better, I think... aspects of it, anyway. I mean, I don't write as much as I used to. But I don't do a lot of things as much as I used to. So that's the natural order of things, too. You're more or less living in the present. You're just trying to get that next song, whatever it is. And not think too much about what happened on the last record, or the record you made 20 years ago, because those are over with. Those are done.
I am a trombone player, and that was my first instrument.
One thing that's happened to me is I've been around a long time and I've played a lot of villains and so forth. I think it had to do with, well one thing is that I looked younger than I was for a long time. Now I think I'm suddenly starting to play people's father.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
For two days I had the company of a girl. She appeared next to me. It was no less of a miracle if it was my imagination which had summoned her up, because it happened at the very moment I had broken down and given up.
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