A Quote by Curtis Jackson
I have a romantic side. I do things.
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I’m a romantic, and I like guys to bring flowers and buy some gifts - not expensive things, just romantic things.
I'm a romantic, and I like guys to bring flowers and buy some gifts - not expensive things, just romantic things.
My overall quest is always to do something that's somehow different from whatever it is that I just got done doing. If that can include occasionally playing an older guy who has a romantic side and a romantic relationship, than that's a real treat.
I guess I haven't really done anything romantic for anyone. I think my boyfriend is more romantic than I am. I think little things like sending unexpected text messages, or when I'm out of town I send postcards. I think that's sweet... but probably not very romantic.
I hope that I would be considered romantic. I don't know... one of my favorite movies is 'The Notebook' so I guess that would be considered romantic. But I think being romantic is more than the flowers and the gifts. It's about connecting with the person and being able to talk and share things with her.
People find my things sometimes aggressive. But I don't see it as aggressive. I see it as romantic, dealing with a dark side of personality.
I have a romantic side.
I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'
To state the obvious, romantic comedies have to be funny and they have to be romantic. But one of the most important things, for me anyway, is that they be about two strong people finding their way to love.
I think empathy is romantic. I think humor is romantic. Kindness is romantic. I think those kind of gestures of caring and love are romantic.
More generally, I made an effort to leave out things that weren't relevant to the main narrative themes of the book, namely that there were two sides to Steve Jobs: the romantic, poetic, countercultural rebel on one side, and the serious businessperson on the other.
In the documentary impulse, two species of 'fact' exist side by side: one is coolly objective and the other is fraught, diverse and emotive; one figurative, the other abstract; one prosaic, the other poetic; one factual, the other romantic.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
I've always loved the collaborative side of filmmaking, and there's a lot of things I can do in the acting side of things in terms of the creating of action sequences, and coming up with ways of doing things with a stunt coordinator.
I am definitely romantic, and I love romantic stories - that's why I keep making romantic movies.
As someone who is on the more liberal side of things, I personally think this side needs to be a little less open. I know that's part of what it means to be on the more liberal side of things, but that trait can no longer really be a part of our makeup. The simple reason for this is that the opposing side uses our openness to their full advantage.
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